you keep asking why your work is not enough [open]

[goodweather]

Who: Phil & friends
What: Village aftermath. Oh Brother
When: dec 24th through the rest
Where: infirmary, john's, bobby b's, others
Warnings: for the first header, village-typical horror; namely forced amputation and medical abuse, drugging, blood, discussion of patricide



i. because it is enough to exist in the world [infirmary, closed to darcy] (cw: blood, probably discussion of patricide, drugging, forced amputation, medical abuses)

Phil heaves awake in a cot in a medical room. The pain is gone; a frantic grabbing reveals that his wings are back, heavy and solid, and he is in a medical room sitting in a cot, and there is still a badge on him, and he is in a medical room sitting in a cot with his wings still intact, and it doesn't matter that blood coats his neck and all the back of his head because all he can think is oh God not again, please not again, not again, not again, not again, not again.

When Darcy finds him, he's staring down at his lap, breath coming deep and fast and about two inches from outright dry heaving, gripping the sheets.

ii. and marvel at it [texts]

Texts go out to those he knows. Ava, Tayrey, Cass, Erin, Dimitri too; anyone close enough to him he can think of, on or off the excursion.

Alright?

iii. you don't need to justify that [atrium] (closed to venom)

He needs to find it. Needs to be with his friend again, needs to feel its comfort and its strength around him again, so bodily and intrinsic as it was, and he needs to feel a comfort deeper than kind words and a firm hug. He needs to know that he's safe. He isn't safe on his own.

As soon as there's time, he rushes into the atrium, the most open crossroads-point on the ship, and tries to listen for it.

iv. or earn it [john's]

For all that talk about the orchestra in the Village, he hasn't actually seen or touched a piano in a month. He's got to be so rusty by now.

He tries to slip back into it, but something in his head is all wrong; the notes are just fine, sure, if a little rough, but the colors, the musicality, it's gone. That's fine, he tells himself. Nothing a bit of practicing and relistening to his betters won't fix. Practice always fixes things. If you work at it long enough, mind the right techniques, it will happen. Has to happen.

He practices. Practices for hours. It's not pretty, but it's work, good work. He missed good work.

v. you are allowed to just live [around] (cw: compulsivity)

Phil and Darcy cannot be found without the other for all of Christmas Eve and into Christmas proper.

After that, though, he wanders, attempts to fall back into his routine. He reads, in the library or in a seat beneath the signposts; takes his coffee from Sand Dollars; eats decent food from the buffet like he hasn't had a full stomach in months; attempts to draw, sometimes. And preens.

... Preens a lot, actually. Too much. It borders on compulsive, how much and how aggressively he goes at it sometimes, leaving his feathers ragged and torn. Complete opposite of what he's supposed to be doing but he can't seem to stop. He can't stop touching his wings, always digging his fingers through the quills, feeling that they're there at all and there's no pain that wasn't his fault. Over and over. Real, there, real. Staying. Every mark he leaves, every barb he breaks, every quill he accidentally pulls out or snaps--his actions have consequences and they stay. Good. Good.

vi. that is all most animals do [bobby b's]

More than once, Phil drags himself into the cigar and whiskey bar. Heaves over to the counter to order a drink, slogs into a chair to cut a cigar, and just.

Sits. Stares at the same spot on the wall for the next hour until he's done.

vii. wildcard

(( got other ideas? lmk! ))