not_the_last (Cassandra de Rolo) (
not_the_last) wrote in
come_sailaway2023-03-04 10:44 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
it's a war in there [March OTA, including memshare]
Who: Cassandra de Rolo & those visiting her memories / OTA
When: March
Where: Around the Serena Eterna; also Whitestone, at various points in the past
What: Things are beginning to crack
Warnings: Game-typical angst; in memshares, murder, torture, vampirism, mindfuckery both magical and mundane, and potentially noncon/dubcon; other warnings to be added in reply headers as needed
A. you're just like them, you're unprepared
Cassandra's noticed the cracks, of course. Before she brushes against one, they seem alarming and inexplicable; are they a trick, a trap, a sign that this whole little artificial plane is starting to come apart?
(The thought she barely lets herself contemplate: a way out?)
After her first few encounters with them, the nature of them seems more apparent -- although there's no guarantee they aren't also any of her previous thoughts. The first time her own memories double on her, with faces she knows from here appearing in them, she locks herself in her cabin's bathroom and curls up on the floor of the shower, arms wrapped around her knees, struggling not to begin screaming for fear that she might never stop.
[This prompt is for interacting with Cassandra in the present setting! Feel free to run into her anywhere on board, either before or after memshares begin, or PM/ping me on discord to discuss a more specific prompt.]
-----
B. cause you don't know the terrain
Several cracks about the ship, as it turns out, lead to a world called Exandria and a little city-state called Whitestone. Those who tumble into them will encounter a younger Cassandra at some point in her past.
[Specific pre-discussed prompts are below! If you would like a different one, see the plotting post here or PM/ping me to discuss.]
When: March
Where: Around the Serena Eterna; also Whitestone, at various points in the past
What: Things are beginning to crack
Warnings: Game-typical angst; in memshares, murder, torture, vampirism, mindfuckery both magical and mundane, and potentially noncon/dubcon; other warnings to be added in reply headers as needed
A. you're just like them, you're unprepared
Cassandra's noticed the cracks, of course. Before she brushes against one, they seem alarming and inexplicable; are they a trick, a trap, a sign that this whole little artificial plane is starting to come apart?
(The thought she barely lets herself contemplate: a way out?)
After her first few encounters with them, the nature of them seems more apparent -- although there's no guarantee they aren't also any of her previous thoughts. The first time her own memories double on her, with faces she knows from here appearing in them, she locks herself in her cabin's bathroom and curls up on the floor of the shower, arms wrapped around her knees, struggling not to begin screaming for fear that she might never stop.
[This prompt is for interacting with Cassandra in the present setting! Feel free to run into her anywhere on board, either before or after memshares begin, or PM/ping me on discord to discuss a more specific prompt.]
-----
B. cause you don't know the terrain
Several cracks about the ship, as it turns out, lead to a world called Exandria and a little city-state called Whitestone. Those who tumble into them will encounter a younger Cassandra at some point in her past.
[Specific pre-discussed prompts are below! If you would like a different one, see the plotting post here or PM/ping me to discuss.]
no subject
Between the two of them, they can carry it all.
no subject
It's time. She's gonna be there in Whitestone.
She should put on eyes when she gets there.
no subject
A swift mutter of something else, and a flash of white light envelops everything.
And what takes its place is a vaulted hall of pale stone with a night sky showing through tall windows, brightly lit with candles and lamps, and a good half-dozen uniformed guards starting back in alarm and reaching for weapons.
"Stand down," calls out Cassandra, "it's me. I need one of you to go up to my rooms and find Bell, see if they're safe, and another to wake up the Realmseer. I need to send some messages to my brother immediately."
no subject
Thankfully she killed her Mantle for stealth earlier, so the first sign that Erin has chosen to install some owl eyes is when she slips her blindfold off and pockets it, revealing them.
There's things to get done here before she can see Cass's home. Erin can wait. She has all the time in the world now; so far from the rift where she entered, her only exit is to die or get kicked out.
no subject
More people are summoned and sent on a barrage of errands. The Realmseer, an old man in heavy blue robes, looks downright sour to be awakened but more sober when the situation is explained, and sends the arcane messages Cassandra gives him. Word comes back from her brother acknowledging it, and asking if Gilmore can join them in the impending final assault. In the end he goes, Kaylie is guided to a guest room for the night, and Cassandra ...
... finds herself abruptly at a loss for what to do next, blinking at the floor and swaying a little.
"You ought to get back to bed, m'lady," says the older woman who's been directing about half of her orders.
"Yes," says Cassandra blankly, then "In a moment," and she looks to Erin.
no subject
no subject
She clasps her hands together tightly, knuckles whitening, and inhales as she visibly regains some self-control. "I owe you, my House owes you, a great debt. I don't know where the world is going to be in the next few hours, but ... if it is at all within my power I will see you rewarded."
no subject
Erin pauses.
"...Hey uh, not to put too fine a point on it but who do you have guarding you? Not to impugn their skill or anything but I'm good to go on coffee and hate, and if I'm a betting woman that wizard is gonna be slightly pissed that I killed her."
no subject
This to the older woman, who nods. "I'll have some brought to your rooms, my lady. And to yours?", turning to Erin. "Do you take sugar?"
no subject
"You know how beekeepers will make a simple syrup for the hive? That's about the level of sugar."
no subject
There's a rapid clatter of bootheels in the nearby corridor, and a young man bursts into view, tugging his uniform tunic straight as he comes to a halt. Despite said uniform, and the sword and pistol at his sides, he doesn't quite look like a professional soldier; his ash-blond hair is a little too long and shaggy, and his dark brown eyes a little too wide at the moment, fixed on Cassandra.
"My lady, you're all right?" he says in a rush. "I heard -- they said Bell was injured, and you --"
"I'm quite all right, Captain Leore," she reassures him. "Thanks to this brave woman here."
no subject
no subject
"And while I appreciate your offer to add to the guard," Cassandra says, "truly, I couldn't ask you to do any more. The Realmseer has put one of his assistants to watching for any other magical incursions, and for everything else I trust my own guard completely."
(It's hard to miss the way Kynan's shoulders straighten at that, with both pride and determination.)
"Though ... you do make a good point about not going to sleep keyed up. If you'd like to take your coffee with me in my sitting room?"
no subject
A real castle. Erin's been in them before, but only as what they've become in the modern age.
Not looking awestruck will be a challenge.
no subject
As they climb a broad staircase to the second floor, Kynan turns to Erin. "If I might ask ... how did you know Lady Cassandra was in danger? We had no warning here."
no subject
no subject
Cassandra glances over her shoulder, listening, and waits to hear Erin's response.
no subject
In a low and even tone: "No. Not like the fairest of lands. It's a pocket, really, not very big at all. Whitestone the city is bigger, let alone Whitestone the demense."
no subject
"You were only there to kill her, then," says Cassandra -- facing forward this time, ahead of Erin and Kynan. "Not to aid ... any of us?"
no subject
Still...
no subject
Softly: "Who are you?"
no subject
She settles on something in the middle. "If you ask again, I'll tell you."
An offer.
A threat.
no subject
"I hope so," she says finally, and makes a sweeping gesture to invite Erin to continue down the hall with her.
The sitting room, near her bedchamber but not directly connected, isn't empty when they arrive; a young woman is building up the fire, and lights a couple of lamps before she slips out, brightening the room with a warm glow. It's beautifully furnished, mostly in shades of green and warm brown, with a couple of delicate armchairs and one soft-looking couch.
no subject
Erin sighs. Cass's answer hadn't been a no, not that she expected to get an outright refusal. "If you intend on asking that question again, you're going to want reasonable privacy."
no subject
And indeed, it isn't more than another minute or two before the coffee arrives in the hands of a man in the gray castle livery: a large pot of it on a tray with three mugs, more substantial than delicate, along with a sugar bowl and a smaller jug of cream. And a second tray, borne by a younger servant, on which the only thing visible is a linen tea towel -- clearly covering a tall heap of something, and emitting a strong scent of fresh baked goods.
The offerings are deposited on a low central table, the two servants bow themselves out of the room, and Cassandra leans forward to pour. Perhaps unexpectedly, the first mug -- no sugar or cream added -- goes to Kynan, who receives it with a murmur of thanks and takes up a position by the door.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Cut to morning?
Sure!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Anders fucked that up too!!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Summary go?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)