Siffleur (
teethoftherisk) wrote in
come_sailaway2023-11-01 01:16 am
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I want God to come and take me home [OPEN]
Who: You and... Siffleur?
When: 3-days after the end of the Oct expedition, into November
Where: Daisy's cabin, various places around the ship
Warnings: Gore, body horror, cosmic horror, self-harm, CPTSD/trauma, etc.
1. who am I supposed to be? (Closed to Daisy)
It’s common for Siffleur to show up in the room after expeditions, his body dragged in by Friday sometime in the night and left to finish waking up. They’ve got a system by now - he wakes up, grabs his emergency clothes, and takes off. It’s fairly predictable and simple.
Today, Siffleur starts breathing like usual. His body twitches as he’s on the edge of waking up. Then spasms. And then, with a terrible crunching sound, his ribcage splits wide open and blood splatters over the walls and furnishing. The split doesn’t stop there, quickly spreading up his throat and skull, his face opening like a book until even the bone splits and his pink throbbing brain is on full display. His eyes roll and slither, no longer held in sockets, and his lower-half kicks and twists as it splits in two as well. All of him folds open, and keeps opening, keeps turning until his insides are outside, his organs sliding out of the cavity, his intestines writhing and crawling and still, he keeps turning.
Until finally, with one last wet crunch, all of him inverts again and from the gorey mess on the bed comes flesh - hands and arms and a torso, a whole body birthed from the mess that was Siffleur. It’s an old woman with white hair, scars all over her, and missing toes on one foot. She’s somehow sound asleep despite it all - despite the entrails sliding inside of her unseen back, until the only trace remaining of all of that chaos is the blood still flecked everywhere, and the puddle underneath her.
The woman’s chest rises and falls a few times, and her eyes slowly open.
2. the illusion that you feel is real (Assorted - Open)
There is a stranger on board the ship. She gives a wide berth to people, carrying a nervous and somewhat frantic energy as she ducks out of corridors instead of sharing them, or quickly puts a table or shelf between herself and whoever has come in. She’s older, weighed down by layers of clothing taken from the Tommy Bahamas, but she wears no shoes as she pads silently wherever she goes.
A select few who have the ability to see what others can’t will notice there’s something in her skull, a long sharp sliver of something that glows with a sickly deadlight, an oily shimmering sheen that flickers. Looking at it directly for too long causes an awful headache to form right behind the eyes. She sometimes swats at it, though her hands always go through it.
Occasionally, she’ll stay in one place and not scurry off when others come near. This is mostly at the buffet or bar, where she’ll guard her food or the bottle of vodka she’s drinking from. Occasionally, she has a book in front of her instead - the book Siffleur almost always seems to be writing in. The page she’s on is blank and nothing appears, no matter how much she glares at it.
Anyone who does approach her will get a wary look if they’re a stranger, or a more nervous look if they’re someone who knows Siffleur - and who knows her. She’s older than those who met her in dreams will remember her being, but her voice will be much the same as she tries to fend off the inevitable questions with a- “I don’t know how I got here.”
3. I survived. I speak, I breathe, I'm incomplete (Sports Deck - Open)
Despite how apprehensive she is, despite how much she shrinks in on herself, that’s not her only mood.
As those unfortunate souls who come up to the sports deck will find, emotional regulation is not something she’s capable of. In fact, some poor soul’s first introduction is likely to be of the woman muttering furiously to herself while drawing intricate ritual circles on the deck with sharpies taken from Sundries, her irritation quickly and violently boiling over into screaming, full-body tantrums. She howls and thrashes, slamming her hands and face against the deck, contorting her body and clawing at herself until she draws blood, until she exhausts herself enough that she has no choice but to be calm as she lies on the deck, panting while her wounds slowly heal.
And when she’s calm enough, she starts over, trying desperately to finish a SOS call that can go nowhere.
4. Does anyone ever get this right? (Wildcard - any prompts welcome, DM me if you have any questions)
When: 3-days after the end of the Oct expedition, into November
Where: Daisy's cabin, various places around the ship
Warnings: Gore, body horror, cosmic horror, self-harm, CPTSD/trauma, etc.
1. who am I supposed to be? (Closed to Daisy)
It’s common for Siffleur to show up in the room after expeditions, his body dragged in by Friday sometime in the night and left to finish waking up. They’ve got a system by now - he wakes up, grabs his emergency clothes, and takes off. It’s fairly predictable and simple.
Today, Siffleur starts breathing like usual. His body twitches as he’s on the edge of waking up. Then spasms. And then, with a terrible crunching sound, his ribcage splits wide open and blood splatters over the walls and furnishing. The split doesn’t stop there, quickly spreading up his throat and skull, his face opening like a book until even the bone splits and his pink throbbing brain is on full display. His eyes roll and slither, no longer held in sockets, and his lower-half kicks and twists as it splits in two as well. All of him folds open, and keeps opening, keeps turning until his insides are outside, his organs sliding out of the cavity, his intestines writhing and crawling and still, he keeps turning.
Until finally, with one last wet crunch, all of him inverts again and from the gorey mess on the bed comes flesh - hands and arms and a torso, a whole body birthed from the mess that was Siffleur. It’s an old woman with white hair, scars all over her, and missing toes on one foot. She’s somehow sound asleep despite it all - despite the entrails sliding inside of her unseen back, until the only trace remaining of all of that chaos is the blood still flecked everywhere, and the puddle underneath her.
The woman’s chest rises and falls a few times, and her eyes slowly open.
2. the illusion that you feel is real (Assorted - Open)
There is a stranger on board the ship. She gives a wide berth to people, carrying a nervous and somewhat frantic energy as she ducks out of corridors instead of sharing them, or quickly puts a table or shelf between herself and whoever has come in. She’s older, weighed down by layers of clothing taken from the Tommy Bahamas, but she wears no shoes as she pads silently wherever she goes.
A select few who have the ability to see what others can’t will notice there’s something in her skull, a long sharp sliver of something that glows with a sickly deadlight, an oily shimmering sheen that flickers. Looking at it directly for too long causes an awful headache to form right behind the eyes. She sometimes swats at it, though her hands always go through it.
Occasionally, she’ll stay in one place and not scurry off when others come near. This is mostly at the buffet or bar, where she’ll guard her food or the bottle of vodka she’s drinking from. Occasionally, she has a book in front of her instead - the book Siffleur almost always seems to be writing in. The page she’s on is blank and nothing appears, no matter how much she glares at it.
Anyone who does approach her will get a wary look if they’re a stranger, or a more nervous look if they’re someone who knows Siffleur - and who knows her. She’s older than those who met her in dreams will remember her being, but her voice will be much the same as she tries to fend off the inevitable questions with a- “I don’t know how I got here.”
3. I survived. I speak, I breathe, I'm incomplete (Sports Deck - Open)
Despite how apprehensive she is, despite how much she shrinks in on herself, that’s not her only mood.
As those unfortunate souls who come up to the sports deck will find, emotional regulation is not something she’s capable of. In fact, some poor soul’s first introduction is likely to be of the woman muttering furiously to herself while drawing intricate ritual circles on the deck with sharpies taken from Sundries, her irritation quickly and violently boiling over into screaming, full-body tantrums. She howls and thrashes, slamming her hands and face against the deck, contorting her body and clawing at herself until she draws blood, until she exhausts herself enough that she has no choice but to be calm as she lies on the deck, panting while her wounds slowly heal.
And when she’s calm enough, she starts over, trying desperately to finish a SOS call that can go nowhere.
4. Does anyone ever get this right? (Wildcard - any prompts welcome, DM me if you have any questions)
no subject
"Y-you... traded places?" Panic swells beneath his breastbone, until he feels like he might turn inside out too.
"Can you feel him?"
no subject
no subject
"He's not gone." Max has no way of knowing that's true, but he just can't allow himself to believe it for even a second. "You weren't gone, so he's not. But maybe he's sleeping like you were."
no subject
Her eyes close and she takes a deep breath. Her other hand slides under the table as she pinches her thigh again and again, using the comfort of Max's hand and the fresh pain to ground herself. When she's able, she opens her eyes to look at him again. "He's not gone. It's- this is his body. I can feel that at least. It's w-what he remembers. And he's... he's probably still asleep. It was hard enough for me to wake up. I only really fully woke when Valdis came in during the... the breaks. Before that I was just... there. Sleepwalking. Oh, ooooh, he's walking- he's probably in my m-memories of him, just... just walking through old sad stories in his younger self's shoes. Poor boy..."
no subject
"He loves you, so... maybe for him it's not all bad to be walking through them. I hope." He knows it was sorrow, but he prays that for Siffleur it's a bittersweet kind. Like looking through old family photos of people that are gone.
"Maybe we should find Valdis. Maybe she could help again?"
no subject
Valdis though... She trembles a little. "I... don't know if w-we should. I frighten h-her. A-and I know she... she hurts when others hurt and I'm-"
She was hunched over a plate at the far end of the buffet, wrapped in layers of clothes, in the midst of a rolling meltdown that started when she was twenty-four and had continued the rest of her life. Valdis had undoubtedly been aware of her presence since she arrived, and was doing her best to shut out the lighthouse of pain and rage.
"I j-just... I have to figure out how to undo this, and I can, I can. I can." Her voice isn't confident, but it's persistent.
no subject
"You will," Max says, his voice is firm with the confidence she can't have in herself. "But you won't be able to concentrate on it until you can be in a little less pain. Last time I met you, you wanted lemon chicken. What if you come to the kitchen with me and I make you some? It will be just the two of us in there. I'll tell everyone else to stay out."
no subject
But all of that is forgotten the very moment Max offers to make food for her. Both of her hands grasp his, a much gentler hold than before, and with her eyes so sharp and so clear, she breathlessly asks- "C-can you make me a brownie? Or a-a cream puff? A pumpkin pie? Anything sweet, a-anything at all. Siffleur never eats any deserts and I've b-been desperately wanting something for ages."
no subject
"I can make you all of that and so much more. It would be my absolute pleasure. Any dessert you can name, I can do. Come on, let's go to the kitchen."
no subject
There's a moment of hesitation as she looks at the food left on her plate, but she takes a breath and stands up. It's fine. It's... it's fine. There's still lots of food left at the buffet and it must be near the refresh time. There's no waste in a closed system like this. Her plate will still be here if she comes back later. So it's fine. It's not a waste.
And before her brain can linger over it more, she's quick to lead Max away to the kitchen. "It's- it's so nice you all have a kitchen now. It's s-such a treat to be able to make things."
no subject
"It's so nice," Max agrees. "It was the only thing I needed to make this place feel like a real home for me. Actually, do you mind if I ask how much you were able to watch through Siffleur's eyes? Did you see that time he was helping me in here by doing the dishes while I made breakfast?"
no subject
"O-oh, you can ask a-anything, it's- I just won't tell you if I c-can't but-" And she laughs softly. "B-but I don't- I don't need secrets here, do I? I-I saw that, I saw him w-washing dishes with you, a-and I've- I saw in the- the room full of heads, w-when he and Valdis calmed you, and when you took him t-to the spa. I s-see all of his memories."
Though she pauses, and makes a face like she's tasted something gross. "B-but not the sex. I always- al-always leave those memories."
no subject
"I'm glad you get to see him being happy here. I hope it helps you worry about him a little less. Doing his hair was really fun, I should do that with him again when he gets back." When is said very deliberately.
Despite himself, his cheeks do heat up a little. "Yeah...I mean, I wouldn't be mad if you saw them but I feel like that would be way, way awkward for a mom to see her son doing spicy stuff."
no subject
Poor boy goes red, and she bites her cheek, wishing sometimes she could hold back how she feels. "Very, so m-much but- but even if he wasn't- it's all... I hate it all. Sex is... repulsive. Too ph-physical. Too many fluids. Undignified. Just..." She makes the face again. Can't help it. "Never liked it, never never ever. T-thankfully he didn't- he didn't get that from me. He's normal."
Normal may be doing some heavy lifting here but normal compared to her is still normal.
no subject
"Oh," Max's expression lights up with sudden understanding. "I'm not sure 'normal' is really being fair to you. My roommate, Security, feels the same way about sex that you do. There's nothing wrong with that, just, so you know. I don't think differently of you for it at all."
no subject
He's being kind, she knows it, but still - she snorts and raises her eyebrows at Max. "Y-your roommate is a cyborg. Or. M-more than that. Biomechnical in the t-truest sense. Normal for it t-to not have a sex drive. I'm human. W-was human. It wasn't n-normal. But don't- don't think this is me wishing for it. I was glad I d-didn't like it. Kept me focused. Kept me out of trouble. It's not normal but it's not wrong, not for me."
Her one hand rubs her other wrist as she thinks of some of the memories she wandered through, of Siffleur's past partners. "... there's - there's a joke I saw, through h-his eyes once. About wanting cake. Stupid thing... but they weren't wrong. I've always had a sweet tooth."
think we can handwave the baking part of this?
Max is being kind, but he also believes what he's saying so his reply is just slightly pouty. "I mean, yeah, but..." But she doesn't need him to argue on her behalf, does she?
"Wanting cake? Not sure I know exactly what you're talking about but, speaking of. I do owe you all the sweets so let's get started on that."
Absolutely!
But the best part is when all those delicious treats come from the oven - brownies, cream puffs, a pumpkin pie and the most dark decadent chocolate cake she can remember seeing in years. It's a feast for the eyes but even moreso for he mouth, and from the very first bite of gooey hot brownie, her eyes close and she lets out a quiet sound of satisfaction.
Now that's what she's been desperately missing in all of his memories.
thank you!
"Now that," Max says with laughter in his voice, "is the sound of baking done right. No higher praise in the world."
no subject
She swallows, and though she tries to resist so she can speak first, she can't help it - she goes for another bite, and another, devouring her slice completely. Only then is she sated enough that she can sit on the counter and actually speak instead of wanting to dig both hands into the pan and cram as much into her mouth as possible.
"You're a wonderful baker. Truly, truly wonderful. I'm- I'm going to b-be hanging out here every time I smell you making anything sweet." She will. It's a nice place. Feels safe. Helps that there's knives she can reach, if she has to.
"It's... it's funny. I always knew he didn't care for sweets but I didn't... I didn't really think about it. N-not until I was- I was searching his memories and could only find a-a handful of things to enjoy." Oh she's waited long enough. This time she goes for one of the cream puffs.
no subject
"That means you'll probably be in here daily because I can't stay out of the kitchen for long." Ever since this showed up, he's been in here nearly every day. Except for during some of the hardest times. "You'll be welcome. I do actually like having an audience. Makes me feel like I'm hosting my own baking show." If YouTube was a thing here, he'd already be a viral food vlogger.
"Yeah, sometimes I'm sad he doesn't like it more, too, because I'd love to bake for him. At least now we can make you lots of new memories of it. And, who knows, when he comes back I might just have to use this as leverage to get him to take a bite or two of cake for you."
no subject
But that was gone. There's lots she mourns still. Not this, especially not now while she's got a mouth full of whipping cream and light pastry. She chews slowly this time and enjoys every bite as she nods along. And it makes her laugh again, because oh yes, it will be very effective leverage. It makes her feel relieved knowing that Max is sure he'll be back. She's trying to feel the same way.
"Y-you should, you- you need to. He'll do it. He's a g-good boy, he'll do nearly anything for me. A-and you too. Just give him your puppy eyes."
no subject
"Tell you another secret? Most people probably assume I don't know when I'm doing it." He looks around like he's checking for anyone listening. "I do. I perfected it by doing it in a mirror a bunch." Along with all the other facial expressions he practiced or, in some cases, practiced not showing at all.