Phil Connors (
goodweather) wrote in
come_sailaway2023-12-23 10:31 pm
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you keep asking why your work is not enough [open]
Who: Phil & friends
What: Village aftermath. Oh Brother
When: dec 24th through the rest
Where: infirmary, john's, bobby b's, others
Warnings: for the first header, village-typical horror; namely forced amputation and medical abuse, drugging, blood, discussion of patricide
i. because it is enough to exist in the world [infirmary, closed to darcy] (cw: blood, probably discussion of patricide, drugging, forced amputation, medical abuses)
ii. and marvel at it [texts]
iii. you don't need to justify that [atrium] (closed to venom)
iv. or earn it [john's]
v. you are allowed to just live [around] (cw: compulsivity)
vi. that is all most animals do [bobby b's]
vii. wildcard
What: Village aftermath. Oh Brother
When: dec 24th through the rest
Where: infirmary, john's, bobby b's, others
Warnings: for the first header, village-typical horror; namely forced amputation and medical abuse, drugging, blood, discussion of patricide
i. because it is enough to exist in the world [infirmary, closed to darcy] (cw: blood, probably discussion of patricide, drugging, forced amputation, medical abuses)
Phil heaves awake in a cot in a medical room. The pain is gone; a frantic grabbing reveals that his wings are back, heavy and solid, and he is in a medical room sitting in a cot, and there is still a badge on him, and he is in a medical room sitting in a cot with his wings still intact, and it doesn't matter that blood coats his neck and all the back of his head because all he can think is oh God not again, please not again, not again, not again, not again, not again.
When Darcy finds him, he's staring down at his lap, breath coming deep and fast and about two inches from outright dry heaving, gripping the sheets.
ii. and marvel at it [texts]
Texts go out to those he knows. Ava, Tayrey, Cass, Erin, Dimitri too; anyone close enough to him he can think of, on or off the excursion.
Alright?
iii. you don't need to justify that [atrium] (closed to venom)
He needs to find it. Needs to be with his friend again, needs to feel its comfort and its strength around him again, so bodily and intrinsic as it was, and he needs to feel a comfort deeper than kind words and a firm hug. He needs to know that he's safe. He isn't safe on his own.
As soon as there's time, he rushes into the atrium, the most open crossroads-point on the ship, and tries to listen for it.
iv. or earn it [john's]
For all that talk about the orchestra in the Village, he hasn't actually seen or touched a piano in a month. He's got to be so rusty by now.
He tries to slip back into it, but something in his head is all wrong; the notes are just fine, sure, if a little rough, but the colors, the musicality, it's gone. That's fine, he tells himself. Nothing a bit of practicing and relistening to his betters won't fix. Practice always fixes things. If you work at it long enough, mind the right techniques, it will happen. Has to happen.
He practices. Practices for hours. It's not pretty, but it's work, good work. He missed good work.
v. you are allowed to just live [around] (cw: compulsivity)
Phil and Darcy cannot be found without the other for all of Christmas Eve and into Christmas proper.
After that, though, he wanders, attempts to fall back into his routine. He reads, in the library or in a seat beneath the signposts; takes his coffee from Sand Dollars; eats decent food from the buffet like he hasn't had a full stomach in months; attempts to draw, sometimes. And preens.
... Preens a lot, actually. Too much. It borders on compulsive, how much and how aggressively he goes at it sometimes, leaving his feathers ragged and torn. Complete opposite of what he's supposed to be doing but he can't seem to stop. He can't stop touching his wings, always digging his fingers through the quills, feeling that they're there at all and there's no pain that wasn't his fault. Over and over. Real, there, real. Staying. Every mark he leaves, every barb he breaks, every quill he accidentally pulls out or snaps--his actions have consequences and they stay. Good. Good.
vi. that is all most animals do [bobby b's]
More than once, Phil drags himself into the cigar and whiskey bar. Heaves over to the counter to order a drink, slogs into a chair to cut a cigar, and just.
Sits. Stares at the same spot on the wall for the next hour until he's done.
vii. wildcard
(( got other ideas? lmk! ))
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There isn’t time to linger on that though, when she looks at him like that. His own expression tightens, worry and apology written all over.
Cassandra moves towards him. He stands up to meet her halfway, wordless, arms spread open.
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There's much to be said, but for the moment there's just this.
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"I'm so sorry," she says finally, muffled by the cloth of his shirt. "I'm, I tried, I'm sorry --"
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(She should have found him, somehow, before they could hurt him. She should have stopped them, she should have -- if she can't protect one single liegeman then what is the point of her --)
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(How many times? How many times did he lie there wasting in blood and stitches, wondering if someone he knew would pass by—but the hospital’s a big place and the room they left him in was windowless. Nobody came. But they tried. God, they tried.)
He shouldn’t tell her that that wasn’t the first time he ended up there.
“Even if you found me, I… I don’t know.”
(Hazy memories of screaming. Baring teeth, clawing at nurses, not wanting to take it lying down, but they always managed. Those fucking sedatives.)
“You tried, though. You—you were looking for me. That means everything. I used to be the kind of person who—who people wouldn’t look for, you know, so…”
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"You were always worth looking for," she says, low and vehement, through the thickness of suppressed tears. "Even if nobody knew it. Even if you didn't know yourself yet."
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“For wheat is wheat,” he recites softly, “even if people think it is a grass in the beginning.”
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"Yes," she says. "... Is that a poem?"
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(And what is she worth, if she couldn't save him from this suffering? Maybe something later; and if later, says the artist, then also now.)
(and if not tomorrow, perhaps --)
"It's very beautiful," she mumbles against his chest.
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She has to detach one arm from the hug to wipe her eyes, and then it feels a little more natural to try to draw him with her to sit down again while she digs out a clean handkerchief.
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"Are you alright?"
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She looks up at him. "Are you?"
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"Something'd be very wrong with me if I was, and at this rate I think I'd prefer it that way."
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"I know I can't make everything all right again, but ... is there anything I could do to help?"
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“I don’t know. Depressing answer, I know, but I really don’t.” He shrugs, kind of. “I’m open to ideas?”
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A long beat.
"May I ask you ... well, a terrible question honestly?"
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“I don’t think I deserved all of that. But…” His throat bobs. Phil’s voice gets softer as he speaks. “It was my fault. They didn’t need to tell me that. I already knew it. I broke into the Dome and took Darcy with me, so when they caught us, what they did to me and what they did to him, that was—that was my fault.”
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"It was not," she says -- flat, direct, brooking no denial. "You are not to blame for what they did to you, either of you."
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He can’t seem to meet her eyes. “You don’t… I.”
He can’t tell her.
“Peter warned me, and I still… it was irresponsible of me. I should’ve known better. A boat can fall into a storm by chance, but it’s the captain’s fault if he makes the wrong calls and sinks it. Darcy didn’t do anything but follow me, because he trusts me and I’m supposed to know better, but they—took him away and…”
And in some ways, didn’t he do exactly what he was told to do as some hypnotized moron? Get them into a spot where they could try and break Darcy? And didn’t they try?
Maybe he didn’t deserve all of what happened, but he did deserve some. He did. Does. (It’s easier that way, to swallow pain when it’s fair.)
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