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come_sailaway2022-08-12 01:46 am
sailmods) wrote in come_sailaway2022-08-12 01:46 am
Entry tags:
- !event,
- arcane: ekko,
- arcane: jinx,
- changeling the lost: giles,
- changeling the lost: oswald wuthridge,
- doctor who: clara oswald,
- far cry 5: deputy pratt,
- far cry new dawn: sharky boshaw,
- fe3h: dimitri alexandre blaiddyd,
- groundhog day musical: phil connors,
- interview with the vampire: claudia,
- lavender jack: honoria crabb,
- lavender jack: johnny summer,
- mcu: ava starr,
- mcu: marc spector,
- mcu: steven grant,
- original: aiden copeland,
- original: lucas kovach,
- original: ylva wolfsdottir,
- overwatch: bastion e54,
- overwatch: maximilien,
- prodigal son: malcolm bright,
- rwby: ruby rose,
- sherlock holmes: john watson,
- skulduggery pleasant: skulduggery,
- tales of the abyss: jade curtiss,
- tales of vesperia: rita mordio,
- the 100: clarke griffin,
- the locked tomb: palamedes sextus,
- the umbrella academy: klaus hargreeves,
- westworld: maeve millay
AUGUST EVENT: DRAGSTRIP RIOT
[it begins with a PA announcement on the morning of the 12th, Friday’s voice coming through clear and cheerful.]
Any passengers that wish to debark to our latest port of call can exit the ship through the metal detectors on deck zero! Please be advised that all alcohol will be confiscated prior to your exit!
[and whoever heads down to the lowest deck will find that what she said was true: there is a metal detector set up there, with Friday manning it. after placing all metal objects (including weapons, and all your weapons) onto the tray, she gestures for the passenger to step through the metal detector.
they exit in an entirely different location. suffering from a splitting headache, and wearing an entirely different outfit than they had put on this morning, but unscathed. they even got their weapons back!
the interior of the diner is essentially your average jonathan rockets establishment. the narrow lane between booths and counter is manned by an entirely mute Friday clone, who cheerily takes orders and serves up food (cooked??? somewhere???) with an almost unnatural talent for roller blading. there is a jukebox in the corner that can be fed with quarters passengers will inexplicably find on their person. the available songs range from the 50s to the 80s, with a particularly wide selection of songs from the platters.
outside, the diner is a great chrome boxcar, circled by a small parking lot. a large neon sign proclaims it to be GIL’S; it buzzes and flickers on and off often. passengers who have regained vehicles will find these vehicles parked outside. there are also a handful of midcentury American cars; none of them seem to require keys, and the gas tank seems set at full.
past the parking lot is a seemingly endless expanse of desert sand and scrubland, bisecting by the empty highway that the diner abuts. a few miles down this highway, the road forks into a smaller one, which winds its way up a steep, ragged mountain until plateauing into another parking lot, with only a small, old wooden fence between the cars and the edge of the cliff.
should they wish to return to the ship, passengers can leave at any time the same way they entered: walking through a doorway that now claims to be a mop closet. passing through will leave them on deck zero, again with a splitting headache. it’s probably fine.]
Any passengers that wish to debark to our latest port of call can exit the ship through the metal detectors on deck zero! Please be advised that all alcohol will be confiscated prior to your exit!
[and whoever heads down to the lowest deck will find that what she said was true: there is a metal detector set up there, with Friday manning it. after placing all metal objects (including weapons, and all your weapons) onto the tray, she gestures for the passenger to step through the metal detector.
they exit in an entirely different location. suffering from a splitting headache, and wearing an entirely different outfit than they had put on this morning, but unscathed. they even got their weapons back!
the interior of the diner is essentially your average jonathan rockets establishment. the narrow lane between booths and counter is manned by an entirely mute Friday clone, who cheerily takes orders and serves up food (cooked??? somewhere???) with an almost unnatural talent for roller blading. there is a jukebox in the corner that can be fed with quarters passengers will inexplicably find on their person. the available songs range from the 50s to the 80s, with a particularly wide selection of songs from the platters.
outside, the diner is a great chrome boxcar, circled by a small parking lot. a large neon sign proclaims it to be GIL’S; it buzzes and flickers on and off often. passengers who have regained vehicles will find these vehicles parked outside. there are also a handful of midcentury American cars; none of them seem to require keys, and the gas tank seems set at full.
past the parking lot is a seemingly endless expanse of desert sand and scrubland, bisecting by the empty highway that the diner abuts. a few miles down this highway, the road forks into a smaller one, which winds its way up a steep, ragged mountain until plateauing into another parking lot, with only a small, old wooden fence between the cars and the edge of the cliff.
should they wish to return to the ship, passengers can leave at any time the same way they entered: walking through a doorway that now claims to be a mop closet. passing through will leave them on deck zero, again with a splitting headache. it’s probably fine.]
4 - Night
"Sir. Or perhaps madam?" she ventures, given the dress.
no subject
"Neither. SecUnit."
It's the politeness, treated like someone worthy of respect, as much as the implied gendering that fits wrong, like a too-tight coat.
no subject
It is far less human than she had supposed - but neither is she human as she looks.
no subject
She's not acting like human children in serials do, but it has never really met normal children besides, like, Fio. So it isn't certain how to react to her. It's falling back on programming, mostly.
no subject
Mortals take her soft little voice for earnestness, and capitulate easily. She wonders which way this machine will fall, if she'll actually have to work instead of letting societal norms do half the work for her.
no subject
It doesn't quite smile as it calls her out.
no subject
The delicate politics of politeness in the South makes for a complicated dance, but Claudia is accustomed to it. So versatile, useful.
"But I am trying to be peaceable, yes. To at least have a truce."
no subject
It almost seems amused by this.
no subject
She steps back, but only so she can spread her skirts and curtsey neatly, old fashioned manners. It certainly doesn't appreciate her manners, but she still has them.