Sebastian "Bash" St. Expedit (
midnightroads) wrote in
come_sailaway2022-10-10 10:12 am
[OTA] After nine days I let the horse run free, 'cause the desert had turned to sea
Who: Bash St. Expedit
When: October 9th on
Where: Aboard the Serena Eterna
Summary: Bash in a panic about some kind of horse?
Warnings: Discussion of possession, loss of bodliy autonomy, demons, ghosts, spirits, gods
1. And a perfect disguise above [Spirit Halloween]
After the incident in the buffet, Bash sent one text, and then moved toward the Promenade, trying to a.) get away from the buffet and b.) try to find something, anything, to help with what's going on. And like, no, he's not going to find some houngan or a mambo or a bokor to do the work for him, he's going to have to figure himself out. With no tools.
...right. He does have very limited tools; he's got his veve, his tarot cards, easy access to tobacco and rum if he needs them. That's not nothing for the rituals of his pantheon. But more is more, and as he passes the Spirit Halloween, he gets the idea to go in and look for appropriate attire and any other tools on hand. Would a black rubber chicken be an appropriate sacrifice? He...might end up finding out.
"Fucking ride my boy, see if I don't cast you back all the way to Guinee..."
2. Under the cities lies a heart made of ground [Library]
Yes, the only kinds of books in the library are fiction.
Yes, Bash is extremely dyslexic.
But times of desperation call for acts offrustration fortitude, and even if he doesn't get anywhere gleaning for morsels of truth amidst the fiction, smart people hang out in libraries. Look, if you walk into the room and look like you have even ten IQ points on the pitiful bastard, he's going to immediately look up with puppy dog eyes.
"Uh, do you...know anything about, um. Shit that rides folks?"
3. But the humans will give no love [Wildcard]
darkersolstice or darkersolstice#9463 to plot
When: October 9th on
Where: Aboard the Serena Eterna
Summary: Bash in a panic about some kind of horse?
Warnings: Discussion of possession, loss of bodliy autonomy, demons, ghosts, spirits, gods
1. And a perfect disguise above [Spirit Halloween]
After the incident in the buffet, Bash sent one text, and then moved toward the Promenade, trying to a.) get away from the buffet and b.) try to find something, anything, to help with what's going on. And like, no, he's not going to find some houngan or a mambo or a bokor to do the work for him, he's going to have to figure himself out. With no tools.
...right. He does have very limited tools; he's got his veve, his tarot cards, easy access to tobacco and rum if he needs them. That's not nothing for the rituals of his pantheon. But more is more, and as he passes the Spirit Halloween, he gets the idea to go in and look for appropriate attire and any other tools on hand. Would a black rubber chicken be an appropriate sacrifice? He...might end up finding out.
"Fucking ride my boy, see if I don't cast you back all the way to Guinee..."
2. Under the cities lies a heart made of ground [Library]
Yes, the only kinds of books in the library are fiction.
Yes, Bash is extremely dyslexic.
But times of desperation call for acts of
"Uh, do you...know anything about, um. Shit that rides folks?"
3. But the humans will give no love [Wildcard]

[Closed to Cassandra: 'Cause there ain't no one for to give you no pain]
He twisted his ankle on the way down, didn't notice until he had to stand again.
He was running on adrenaline during the fight, not his usual state, and now he feels heavy and tired, a pit in his stomach. He won. He's certain he can win again. But it doesn't get him closer to the real fight for Jeff's body. Does it?
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She recognizes the face; the name takes another moment to come to her. Recognition of the fact that he's carrying a body -- a corpse? -- comes much faster.
"... Bash?"
(Recognition of the body's identity will take longer still, as she can't see its face.)
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"Cassandra. Hi."
Yeup, just a normal conversation in a hall. With a corpse and a scythe. It's been one of those days. He's been through it, Cass.
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"Hi." She doesn't mean it to come out as a whisper, and manages to push a little more volume into what she says next: "Is that ... him? Your, your friend?"
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He sounds like he's working very hard to keep from either screaming or crying or maybe both. Like one more thing going wrong will be the straw that breaks his back.
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"Oh," she says, very quietly, keeping her face as still as possible.
And then: "I'll get the door for you."
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"I swear, I don't do pissed off, but this scrap makes me wish I did."
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"It's on the lowest deck, yes? That's just one further down."
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Morgues are spooky places, after all. Full of corpses.
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And she isn't so much following as going ahead, opening the door at the bottom of the stairwell and holding it for him.
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"I don't know how his people do funerals, or if that'd be a weird thing to do at all. A lot of the rites I know don't make sense with here. No silver to pay the ferryman, he's soul's going nowhere, right? But trying to say something makes sense."
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(She found herself wanting to correct that to did you midsentence, and corrected back. The dead don't stay dead here.)
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"I," numbly, "I didn't recognize him."
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Does that sound cold? He tries not to let it sound cold. But it's a hard sort of truth to sit with.
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At least he isn't walking, she thinks.
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He finds an open drawer to slide the body into. "The bodies are often gone entirely before I do my work. I usually don't have to see them at all."
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Her hands are cold; one of them is clenching, more tightly than she realizes, around the memory of the hilt of a rapier.
"Do you ... you said you might want to say some words over him? I don't know what would be appropriate."
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He moves to stand by the drawer, taking a deep breath. "Brother, you tried to take on evil, tried to face it yourself, and that was bold, and brave, and kind of you. I'm sorry it ended up like this. When your soul reunites with your body, I'll thank you again, for everything. And apologize too. But for now, take your rest that you've earned, and let your soul be renewed."
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She wants to ask for reassurance that he'll come back; she can feel the plea at the bottom of her throat like a sob trying to come out, and hates it.
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"You, uh, want me to walk you back to your cabin or nothing?"
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"That would be very kind of you," she says, in a tone that's a cracking glaze of courtesy over an urge to weep.
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"It's my honor."
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"Are you ... doing all right?" she asks, about halfway up.
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"Sorry. I mean, uh. I'll be fine. Really. I'm always fine, eventually. Sorry."
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