Valdis (
redlightgreenlight) wrote in
come_sailaway2024-01-20 06:54 pm
And I am Done with My Graceless Heart
Who: Valdis and friends
What: Valdis does stuff around the Serena Eterna (more to be added)
When: January Aftermath of the Launch
Where: All over
Warnings: In each starter
And I'm ready to suffer and I'm ready to hope | The Memorial | Open | CW: None
After her discussion with Darcy, she knows the best place to try to reach any of the past passengers is at the memorial. Legends say that the dead tend to congregate around places that are familiar or meaningful to them, so it’s worth a try.
Valdis sits cross legged next to the memorial, breathing deeping as she sends her magic out among the items and images left behind, sinking it down into the ship and spreading it across every floor and into every room, trying to find every corner of the Eterna. She can feel every passenger as they move, feel their life and their emotions, but she’s not interested in the living, only those who no longer inhabit a body.
She is completely still, almost not even breathing.
It's a shot in the dark aimed right at my throat | Erin, Ash, Maxwell | Starting in Library | CW: ???
Valdis is indeed still in the Library, but she’s not moving around or writing as furiously as before. She seems rather tired, the pain still sharp in her chest. She releases a long sigh as Ash texts her, he must have found Maxwell.
Yeah. Still here.
What: Valdis does stuff around the Serena Eterna (more to be added)
When: January Aftermath of the Launch
Where: All over
Warnings: In each starter
And I'm ready to suffer and I'm ready to hope | The Memorial | Open | CW: None
After her discussion with Darcy, she knows the best place to try to reach any of the past passengers is at the memorial. Legends say that the dead tend to congregate around places that are familiar or meaningful to them, so it’s worth a try.
Valdis sits cross legged next to the memorial, breathing deeping as she sends her magic out among the items and images left behind, sinking it down into the ship and spreading it across every floor and into every room, trying to find every corner of the Eterna. She can feel every passenger as they move, feel their life and their emotions, but she’s not interested in the living, only those who no longer inhabit a body.
She is completely still, almost not even breathing.
It's a shot in the dark aimed right at my throat | Erin, Ash, Maxwell | Starting in Library | CW: ???
Valdis is indeed still in the Library, but she’s not moving around or writing as furiously as before. She seems rather tired, the pain still sharp in her chest. She releases a long sigh as Ash texts her, he must have found Maxwell.
Yeah. Still here.

Library. Again. He loves books.
He doesn't love this idea. Or trust the warlock. Only thing that gives him any hope is that Maxwell looked genuinely concerned about her condition. He's hoping that will be enough to keep him from doing anything stupid.
Ash doesn't say anything as he leads Maxwell through the halls to the library. Walking back in he glances at Valdis.
"I told him about the pain." He sighs. "And the scent."
Re: Library. Again. He loves books.
“What… are you experiencing, exactly?”
What is he supposed to say at a time like this? He can’t just show his hand, not when the reveal could mean so much for powering the ship. But… perhaps he’s been through too many bitter winters and scorching summers to demand anyone “sacrifice themselves for his comfort” like he might have done a long, long time ago. This is bigger than him, though. This is… this is… gods, how could he have been so stupid?
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She glances at Ash, then back to Maxwell.
"It feels like someone is taking a knife to my heart. Over and over again. It's very painful. Sharp. Sometimes it's better, but I know for a fact that it's going to continue to get worse."
A pause. She glances at Ash again, like she might have more to tell, but says nothing more.
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"I told him everything we talked about. There isn't anything else he should know is there?"
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"Ms. D'Angelo... I trust that you care about the other passengers, correct? Would it be a correct assumption that you would sacrifice a great deal to help those that you care about?"
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"Do I have a choice?"
Or has someone else made that decision for her without her consent? Being forced to sacrifice and choosing to sacrifice are two very different things.
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"Hold on." His voice is strangely calm. Too calm. "Let's back up real quick to the part where you," He points at Maxwell. "Tell us what happened in the morgue. No one is making any decisions or sacrificing anything until we know what is happening. Time to put all the cards on the table before anyone gets hurt." Ash glances at Valdis. "We don't have time for anyone to not be completely honest. Even small details could be helpful."
The way she keeps looking at Maxwell has his attention. She said she doesn't really know him but her eyes say otherwise. Unless she is pissed at Ash for bringing Maxwell here.
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"Please help me understand," she says quietly, though the hatred on her features vanishes, that tone indicates that someone is either about to die, or is at risk of being disemboweled. "I am being tortured, every second, of every day, because you felt the need to force some sort of emergency measure on me on behalf of a Goddess whose only desire in life is to be rid of me so she can do what she wants, because you believed I would not help of my own volition?"
Which leads her to wonder just what his plans had been, or what the purpose even was. She still doesn't know what he did, but she knows it's likely different from what he believes he did, because Tiamat only works in her own self interest.
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Wrap?
Wrap
It's a Shot in the Dark | Erin
Hey, can you meet me at my room? There's something I need you to do.
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She waits for Erin to come inside before closing the door and returning to her bed.
"Before I tell you anything, I need you to promise me you won't go on a murderous rampage."
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"I'm not telling you anything unless you promise to not murder anyone over it. Friday doesn't need the extra stress."
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The Beginning of the End Part 1 | Closed to Clarke
She starts digging through drawers, in the closet, through the desk. Looking anywhere that small string might be hidden. Soon she's tearing apart the bed, looking underneath objects and generally causing a mess. She freezes as she hears someone walking down the hall. Few usually come this way. Maybe the dumb man told more people. Yet it's the scent of that other girl that reaches her. A tiny smile crosses her face. Maybe the string has already been found.
Maybe Clarke has it. Things couldn't be more perfect.
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And maybe that's why, when she sees the suspicious shadow of a door open ajar down the hall, her stomach drops. Paranoia and the suffocating need to know everything she can has her feet moving with slow, solid footfalls down to the very end of the cabin hallway. Every internal organ seized up, every muscle insisting she run instead of stick her nose into whatever mess may be taking place behind Ari Tayrey's busted bedroom door. The missing woman had always objected to anyone else entering her private space without express permission, but she's gone now. Passed on her knowledge to a few select people who'd just been too slow to act on it, and maybe now came looking.
Clarke has no idea who she's about to find on the other side of the broken door when she pushes it open, but the absolute turbulent chaos of Ari's room doesn't shock as much as it should. Bed overturned, drawers pulled out. And amidst all of it —
Her throat constricts. Something hard and accusatory slots into place. She is instantly aware of all her emotions and tries to tamper them down; does her absolute best at refusing to feel fear, and certainly not acknowledge the way the string currently lays heavy around her own neck, mostly obscured and tucked into the neckline of her shirt. Doesn't even reach up to self consciously pluck at her collar, just to be sure. Just stares hard.
"What are you doing, Valdis?"
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"Why hello, Clarke," she purrs, offering a smile. "I'm afraid Valdis is currently unavailable, but it's a pleasure to meet you. My name is Tiamat."
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Immediately, Clarke wants to run.
Also immediately, she recognizes that wouldn't go well this time.
"...right. I think she may have told me about you."
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"In a manner of speaking." The normal emerald green eyes have not been green this whole time. In fact, they seem to glow a bright blood red. "Luckily for you, we're on the same side."
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"Oh yeah? Which side is that?"
Like, Clarke knows where she stands, and which standing point Valdis had been wallowing in last they'd met. And interprets that this new potential danger knows her, but there's something to say for hearing it spoken aloud.
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Tiamat stands up and steps closer to Clarke, still enjoying the fear and the new sensation of twisted curiosity. This is a girl who would do what needs to be done to reach her goal and not regret a moment of it.
"I don't wish to have my newfound life cut short, and the power of a Goddess could be very useful to you and your ilk. Despite his current state of mind, you couldn't hope to defeat him. And if what is coming isn't any friendlier, well...a Goddess is a good ally to have in the case of that as well."
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And she's just — tired. Angry. Currently very on edge, but not willing to shy away from any option (regret to come later, depending on how things play out). And, oh if it doesn't strike a chord to be offered the power of a goddess at her side to help achieve this last ditch hail mary that could potentially save their lives. Was that not exactly what she'd been after when putting faith in Guabancex all those months back, or getting on her knees to cajole Barbatos to teach her how to pray? And now here comes a third, who isn't even asking Clarke to convince her it's worth the frontal assault. Who is speaking in promises (very useful to you) and facts (you cannot hope to defeat him) and offering contingency (if what's coming isn't any friendlier)...
It's so tempting. If never able to obtain the power required to rattle the bars of the Captain's prison herself, this is the next best thing, coming about at the perfect time. Clarke wants this. But she knows by now, not all deux ex machina moments play out as gloriously. It feels remiss not to at least ask:
"H... how do I know I can trust you?"
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