Arthur Lester (
theotherright) wrote in
come_sailaway2022-09-20 05:31 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
[OPEN] the labour and the wounds are vain
Who: Arthur Lester and YOU
What: The walk of shame after rafting with two other idiots off the edge of the world
Where: Around the ship
When: The day after the beach party
Warnings: The normal Arthur stuff. Traumatised man hours. Death happened. Sad about blind. Also, the thread with Bash eventually contains a couple references to 1930s homophobia, plus displays of ignorance about queer people.
Mistakes were made. Big ones. For those sensitive to that kind of thing, an invisible death counter has ticked up in Arthur from zero to one.
i. scoops
It's a big ship, but unless you count Tommy Bahamas, it's not infinitely big. Why the hell can't he find Smith or Steve? Particularly Steve-- you know, the teenager he just helped kill?
In truth, Steve is hiding in his cabin and he happens to keep missing 6, but Arthur's brain is pleased to conjure some more unpleasant scenarios, and the effort of talking it down is exhausting. Looking for people while fucking blind only compounds his frustrations, and he's already feeling a few SAN points down after the whole 'fell into the fucking void' fiasco, and he's currently searching on the promenade which is already fucking overwhelming, and so his reaction when he collides with a fucking stool that's sitting outside of Scoops is, as soon as he's regained his balance, to pick it up and toss it as hard as he fucking can across the fucking ground.
"Fuck!"
ii. tauva
...not long after that, Arthur realises that he needs to calm the hell down.
He forces himself to stop pacing and pacing and pacing and pacing. And once he stops, it's like the energy leeches right out of him, both physically and mentally. Part of his mind is still just spiralling down that invisible void, screaming.
The whole raft thing is a part of it, but it's far from the whole. He's so far out of his depth and he doesn't even know which way up is, and he's been holding his breath for as long as he can, focused on the possibility of escape, but now escape has put him right back on the ship and it feels like he tried to take a breath and instead filled his lungs with salt water.
He ends up in Tauva. It's not consciously planned. But he has been thinking about someone else who frequents the place: someone to whom he once again owes an apology.
Arthur's slumped back in one of the leather armchairs, his useless eyes closed. Until now he's perched on the edges of chairs, sat with his feet beneath him, ready to move if he needed to. This time he's just... folded into it. Head tilted down. As still as if he was asleep, or even more so, because even sleeping people murmur or turn over once in a while. The only parts of him stirring are his lips, which move as if silently singing to himself, and his hands, whose long fingers bat restlessly against one another and against the soft arms of the chair.
He is not super okay.
What: The walk of shame after rafting with two other idiots off the edge of the world
Where: Around the ship
When: The day after the beach party
Warnings: The normal Arthur stuff. Traumatised man hours. Death happened. Sad about blind. Also, the thread with Bash eventually contains a couple references to 1930s homophobia, plus displays of ignorance about queer people.
Mistakes were made. Big ones. For those sensitive to that kind of thing, an invisible death counter has ticked up in Arthur from zero to one.
i. scoops
It's a big ship, but unless you count Tommy Bahamas, it's not infinitely big. Why the hell can't he find Smith or Steve? Particularly Steve-- you know, the teenager he just helped kill?
In truth, Steve is hiding in his cabin and he happens to keep missing 6, but Arthur's brain is pleased to conjure some more unpleasant scenarios, and the effort of talking it down is exhausting. Looking for people while fucking blind only compounds his frustrations, and he's already feeling a few SAN points down after the whole 'fell into the fucking void' fiasco, and he's currently searching on the promenade which is already fucking overwhelming, and so his reaction when he collides with a fucking stool that's sitting outside of Scoops is, as soon as he's regained his balance, to pick it up and toss it as hard as he fucking can across the fucking ground.
"Fuck!"
ii. tauva
...not long after that, Arthur realises that he needs to calm the hell down.
He forces himself to stop pacing and pacing and pacing and pacing. And once he stops, it's like the energy leeches right out of him, both physically and mentally. Part of his mind is still just spiralling down that invisible void, screaming.
The whole raft thing is a part of it, but it's far from the whole. He's so far out of his depth and he doesn't even know which way up is, and he's been holding his breath for as long as he can, focused on the possibility of escape, but now escape has put him right back on the ship and it feels like he tried to take a breath and instead filled his lungs with salt water.
He ends up in Tauva. It's not consciously planned. But he has been thinking about someone else who frequents the place: someone to whom he once again owes an apology.
Arthur's slumped back in one of the leather armchairs, his useless eyes closed. Until now he's perched on the edges of chairs, sat with his feet beneath him, ready to move if he needed to. This time he's just... folded into it. Head tilted down. As still as if he was asleep, or even more so, because even sleeping people murmur or turn over once in a while. The only parts of him stirring are his lips, which move as if silently singing to himself, and his hands, whose long fingers bat restlessly against one another and against the soft arms of the chair.
He is not super okay.
no subject
"Remember that I told you coming on that raft would not get you any closer to your home. That is because none of us will ever be going home. It's impossible. If we return to our own time, we will cease to exist at all." At least he avoided using the word obliterated this time.
"There is no going back."
no subject
That's not.
That's not what Arthur was expecting.
It's impossible makes him start to scoff, and then we will cease to exist makes him stop. "I- I'm sorry?" he says, not immediately believing it. "Why would we... why would we stop existing? That doesn't... that doesn't follow."
no subject
"Because you are not truly missing at home. The you that exists there never left. What you are here, what we all are, is a copy of ourselves ripped from time. We cannot rejoin our other selves without being destroyed."
no subject
Arthur is... suddenly glad he's already sitting down. He's pretty sure the promenade would have spun around him, if he could see it. His fingers tighten on his cane for balance, and the tip of it sways.
His mouth opens and closes a couple of times, but when he does verbally respond he just sounds like he's digesting something mildly surprising. "Oh. All right."
He's pretty sure the entire ship can hear how loud his heart is beating.
"Well, that- that introduces some problems, solves others."
The rocking back-and-forth of his hand would be subtle, were it not for the top of his cane moving exaggeratedly above it. His mouth twitches.
"A copy, eh?"
no subject
"Yes, a copy. It was explained to me thus: the one of us who remains in our world is set upon his tracks, going through life on a pre-determined course. We, however, have been taken from the tracks. We can go anywhere. We aren't destined for anything, anymore. The only thing we can't do is go back to where we came from. That track is occupied."
Now, he just can't help asking, "What problems does this solve for you?"
no subject
He's thinking about a book. No, not that book, another one. Lots of fucked-up books in his life, lately, he reflects.
"A man has built a raft on a beach," he says as if reciting, even more under his breath this time, just about audible but clearly not meant for 6's ears. "He intends to use it to escape. Do you join him?"
Oh. Oh haha this is good. Oh, this is a good one.
Smith asks a question. Arthur raises a hand to forestall it, with an ah-d-d-d-d, a casual sound that translates into shut the fuck up. At the same time, a faint scratching sound that he'd been unsure of the source of ends. Of course: it must have been his fingernails on the ice-cream parlour table.
"Who explained it to you? How do they know?"
no subject
"Her name is Ava Star and she's been here long enough to have collected the evidence for herself. And if you want to know more, then you will have to ask her yourself." Number 6 has no fear for her safety because she could easily take down any man or woman here with her abilities.
"You know what kind of profession I was in. I am not one to be easily swayed, but her word I do trust."
no subject
"Ava Star. Thank you. And how do I contact her?" Just like that, Arthur is back to sounding like he's holding just the most normal conversation in the world.
A beat. "Star," he says again, a bit more to himself. "I'm sure I've not met her. Why does that name sound familiar?"
no subject
"I'm sure I wouldn't know why a name like that would sound familiar. The word itself is rather mundane, of course. The woman, however, is anything but. If you're going to try and harass her for answers, then I'm not inclined to give you her location." But also this is a closed ship so sooner or later he'll probably run into her. Maybe less so right now because she's been making herself scarce.
no subject
"Anything but mundane," he repeats, and that shakes something loose. "Star," he says again, this time with a cold-eyed smile of recognition. Yes, says his mind back to him, yes. "Yes. The friend who helped you with your little elevator problem. I don't intend to harass her, only ask her some questions."
no subject
"That's right, I did mention her." And now he worries he may have some apologizing to do to her.
"You will have to find her first." She is literally in the cabin across the hall from Number 6 but he's not going to say that. "I suggest you take a little time to get yourself back to sorts before you do."
no subject
He turns a look of frustrated accusation in Smith's general direction. "You're -- really going to tell me all of this, and tell me to talk to a woman who knows more, and-- and then refuse to tell me how to contact her? Is this a game?"
no subject
"But Miss Starr is in a somewhat emotionally fragile state and I don't want you to go and agitate her. Whatever anger you are feeling, I'd rather bear the brunt of it myself."
no subject
Fine.
"Jesus christ," he mutters, "I'm not angry with her. Don't be so dramatic." What do you take him for, someone unreasonable??
Deep breath in. Deep breath out. He goes back to pacing, not moving far in any one direction, his cane's little wheels rattling on the ground.
"All right. All right." He moves a hand over his face, still frustrated, but not feeling nearly as aggressive about it as he was a moment ago. It's hard to resent someone for hiding away with their feelings when you just spent part of the morning having emotional breakdowns. "I'm-- I'm sorry to hear that. I hope she recovers soon."
And when she does, he will get her phone number.
Unless he's in a depressive episode and doesn't.no subject
"She's more resilient than she realizes. In time, I think she will recover." As long as someone doesn't ruin it.
"Now, as for you? I realize I've given you an undeserved shock. Can I smooth it over with a drink? Do you smoke?"
no subject
His manners have failed him a bit.
"I need to- to find Steve. Say I'm sorry. Make sure he's all right. Do you know his cabin number? Or do I need your permission to speak to him as well?" He doesn't mean to say that last part, but it slips out anyway.
no subject
"Cabin 133." There is still some tartness to his tone, though it's brisk and businesslike. "Of course you're entitled to speak with him. Find me later in Cabin 113 if you like."
With that, he will turn to take his leave, with one parting shot, "The offer for that drink stands, should you ever wish to revisit it."