not_the_last (Cassandra de Rolo) (
not_the_last) wrote in
come_sailaway2023-11-05 09:45 pm
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are you out there? can you hear this?
Who: Cassandra de Rolo & OTA
When: November
Where: Around the Serena Eterna
What: on all levels but physical/literal, shouting into the void
Warnings: Game-typical angst, canon-typical angst, others to be added as they come up
A. what's the future, who will choose it
She's ... anxious, she decides, is the right word. Anxious about the Voyager plan. What if it gets discovered and stopped, what if it proceeds as planned but fails to break out of the demiplane, what if it reaches the outer world and is discovered by something only interested in taking advantage of whatever it finds --
The anxiety never gets anywhere near the point of making her want to call a halt to it. Not this time.
Still, she does find herself wandering about near the signpost and its accompanying book, to see who's writing in it. Not that it makes any difference, but ... it's something she can keep an eye on.
B. you never know who's still awake
Cassandra is rarely if ever to be seen around the buffet these days. One might spot her in the kitchens, though, usually very late at night, usually making something involving potatoes and/or cheese. Sometimes, similarly late at night, she might carry a snack to eat elsewhere around the ship; usually more cheese, with crackers, or cured meat, or a little jar of jam or relish of some kind. Usually somewhere that doesn't attract a lot of people, as though reluctant to eat in company with anyone.
Are you up very late and avoiding company too? You might run into her.
C. play the madmen poets
She's aware that it's unwise, perhaps now more than ever, to do anything to shut out or dull her awareness of her surroundings. Nonetheless: it may also be something she needs now more than ever.
As a compromise, she's only using her music player when she's got a good view of the rest of her surroundings, or when she's otherwise fairly sure nothing can get close to her without her knowing. So 'while flying' is a good option, as far from the ship as she can get while still able to make it back before her wings fail; another is perched on a high roof or crows' nest, some spot she can only get to by flying. And occasionally, very occasionally, in the library while seated with her back to a wall
There's so much music in this little box, and she still hasn't heard all of it. This month she's working her way through the repertoire of a bard with a rough but compelling voice, and trying to make out what his verses are talking about. (You don't need a weatherman to know which way the wind blows is possibly the first intelligible thing he's said in this song, and she still isn't sure what he means by it.)
D. wildcard
When: November
Where: Around the Serena Eterna
What: on all levels but physical/literal, shouting into the void
Warnings: Game-typical angst, canon-typical angst, others to be added as they come up
A. what's the future, who will choose it
She's ... anxious, she decides, is the right word. Anxious about the Voyager plan. What if it gets discovered and stopped, what if it proceeds as planned but fails to break out of the demiplane, what if it reaches the outer world and is discovered by something only interested in taking advantage of whatever it finds --
The anxiety never gets anywhere near the point of making her want to call a halt to it. Not this time.
Still, she does find herself wandering about near the signpost and its accompanying book, to see who's writing in it. Not that it makes any difference, but ... it's something she can keep an eye on.
B. you never know who's still awake
Cassandra is rarely if ever to be seen around the buffet these days. One might spot her in the kitchens, though, usually very late at night, usually making something involving potatoes and/or cheese. Sometimes, similarly late at night, she might carry a snack to eat elsewhere around the ship; usually more cheese, with crackers, or cured meat, or a little jar of jam or relish of some kind. Usually somewhere that doesn't attract a lot of people, as though reluctant to eat in company with anyone.
Are you up very late and avoiding company too? You might run into her.
C. play the madmen poets
She's aware that it's unwise, perhaps now more than ever, to do anything to shut out or dull her awareness of her surroundings. Nonetheless: it may also be something she needs now more than ever.
As a compromise, she's only using her music player when she's got a good view of the rest of her surroundings, or when she's otherwise fairly sure nothing can get close to her without her knowing. So 'while flying' is a good option, as far from the ship as she can get while still able to make it back before her wings fail; another is perched on a high roof or crows' nest, some spot she can only get to by flying. And occasionally, very occasionally, in the library while seated with her back to a wall
There's so much music in this little box, and she still hasn't heard all of it. This month she's working her way through the repertoire of a bard with a rough but compelling voice, and trying to make out what his verses are talking about. (You don't need a weatherman to know which way the wind blows is possibly the first intelligible thing he's said in this song, and she still isn't sure what he means by it.)
D. wildcard
no subject
"Of course not. He was five years older. His hair went white, not just this front part like mine, white all through. He invented a new weapon. He made a deal with a demon in a dream to do it, and he didn't know it was a real demon. He's an adventurer. He's killed dragons. He and his friends are some of the most dangerous people in Exandria." She lifts a hand and drops it, helplessly. "He has an earring now."
(The narration must give credit where credit is due for that last.)
"But what has any of that got to do with anything? He left, and he changed. I stayed. And I changed. Neither of us will ever be the same, because nobody is ever the same. He changed. And he came home."
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She means it. With every inch of her soul. She just knows certainly that luck will never apply to her. She doesn't have a brother to greet her. Going back there, absent the people she loves, unable to voice what happened -
It would be letting a stranger into the house.
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"Helena," very quietly, "if you feel you've been too changed to go home ..."
It's going to take her another moment to find a way to end that sentence.
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"I think it would not be home if I was absent the people I love. But likewise, if I have them, then anywhere we end up could be our home. I think I've known that since I started allowing myself to love them."
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"I've ... been finding myself daydreaming, lately," she says slowly, "about somehow getting to go home, and bringing everyone with me. Everyone I've grown close to here. I don't have any reason to think that such a thing would be possible, or even that it's something any of -- of the people in question would want."
(Helena may or may not hear the narrowly avoided phrase any of you.)
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Something to give them hope out of misery.
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"Would you? If, if others did."
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"Oh. Cassandra, I..."
Didn't count herself as someone on that level. Someone close enough to be worth that.
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A moment, as she tries to arrange her feelings and urges into something more like coherent thought.
"It's twofold, really. One is that ... close or not, I think I can call you a friend, and I want my friends to be safe. And to feel safe. And if there is anything I can do to help with that, I want to. The other ..."
The other is harder to articulate; it's going to take her a moment.
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It's not to be undersold.
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A beat.
"I understand if that sounds like arrogance."
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Her voice is slower, more careful with her words. Knowing what she knows about Cassandra - about how much was taken from her, wrung out from her, forcing her to bend and break and yet she lived - it is a sentiment she cannot help but respect, for all it means. Her home, containing who she would protect and care for. Reclaiming what could have been forever scarred and tainted.
"It's making sure your home is yours again. In every way that means."
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There's a vehemence to it -- and also a great relief and gratitude, that Helena understands.
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Worry furrows her brow, because it seems all so straightforward to her - that it's saying this is mine again.
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She smiles, hoping it can be some comfort to her.
"Tell them exactly as you told me, and they will understand it."
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A beat, and she adds reflectively: "And also, I'm not sure someone who considered me arrogant would be entirely wrong."
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She shrugs her shoulders.
"As for being understood...it's hard for everyone. I might be a poet, but that doesn't mean I don't know that well."
Because she still hears Cassandra's voice in her head, reminding her that it's harder to talk to someone who seems unaffected. To withdraw too far into her protective shell, it would mean she could not be understood at all.
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"I don't know that I think it's necessarily a bad thing, to be arrogant. It's been a family trait for a long time. I don't think I would be a better person if I were humbler."
A small huff of wry laughter. "Though I might be easier for some to deal with."
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Her smile doesn't falter.
"Be careful of thinking that promises that you'll be easier to deal with. It is better to have some degree of pride."
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(Cassandra, her own voice echoes in her memory, is a de Rolo.)
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The less people in the world that know the precise, acute pain of swallowing all your less pleasant, amiable traits and letting them lodge in your throat to cut down every sentence until it is mild and inoffensive, the better. Glass and iron and pain, so deep that even ice doesn't numb it. It's a fate she's not eager to bestow on any soul.