not_the_last (Cassandra de Rolo) (
not_the_last) wrote in
come_sailaway2023-11-05 09:45 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
are you out there? can you hear this?
Who: Cassandra de Rolo & OTA
When: November
Where: Around the Serena Eterna
What: on all levels but physical/literal, shouting into the void
Warnings: Game-typical angst, canon-typical angst, others to be added as they come up
A. what's the future, who will choose it
She's ... anxious, she decides, is the right word. Anxious about the Voyager plan. What if it gets discovered and stopped, what if it proceeds as planned but fails to break out of the demiplane, what if it reaches the outer world and is discovered by something only interested in taking advantage of whatever it finds --
The anxiety never gets anywhere near the point of making her want to call a halt to it. Not this time.
Still, she does find herself wandering about near the signpost and its accompanying book, to see who's writing in it. Not that it makes any difference, but ... it's something she can keep an eye on.
B. you never know who's still awake
Cassandra is rarely if ever to be seen around the buffet these days. One might spot her in the kitchens, though, usually very late at night, usually making something involving potatoes and/or cheese. Sometimes, similarly late at night, she might carry a snack to eat elsewhere around the ship; usually more cheese, with crackers, or cured meat, or a little jar of jam or relish of some kind. Usually somewhere that doesn't attract a lot of people, as though reluctant to eat in company with anyone.
Are you up very late and avoiding company too? You might run into her.
C. play the madmen poets
She's aware that it's unwise, perhaps now more than ever, to do anything to shut out or dull her awareness of her surroundings. Nonetheless: it may also be something she needs now more than ever.
As a compromise, she's only using her music player when she's got a good view of the rest of her surroundings, or when she's otherwise fairly sure nothing can get close to her without her knowing. So 'while flying' is a good option, as far from the ship as she can get while still able to make it back before her wings fail; another is perched on a high roof or crows' nest, some spot she can only get to by flying. And occasionally, very occasionally, in the library while seated with her back to a wall
There's so much music in this little box, and she still hasn't heard all of it. This month she's working her way through the repertoire of a bard with a rough but compelling voice, and trying to make out what his verses are talking about. (You don't need a weatherman to know which way the wind blows is possibly the first intelligible thing he's said in this song, and she still isn't sure what he means by it.)
D. wildcard
When: November
Where: Around the Serena Eterna
What: on all levels but physical/literal, shouting into the void
Warnings: Game-typical angst, canon-typical angst, others to be added as they come up
A. what's the future, who will choose it
She's ... anxious, she decides, is the right word. Anxious about the Voyager plan. What if it gets discovered and stopped, what if it proceeds as planned but fails to break out of the demiplane, what if it reaches the outer world and is discovered by something only interested in taking advantage of whatever it finds --
The anxiety never gets anywhere near the point of making her want to call a halt to it. Not this time.
Still, she does find herself wandering about near the signpost and its accompanying book, to see who's writing in it. Not that it makes any difference, but ... it's something she can keep an eye on.
B. you never know who's still awake
Cassandra is rarely if ever to be seen around the buffet these days. One might spot her in the kitchens, though, usually very late at night, usually making something involving potatoes and/or cheese. Sometimes, similarly late at night, she might carry a snack to eat elsewhere around the ship; usually more cheese, with crackers, or cured meat, or a little jar of jam or relish of some kind. Usually somewhere that doesn't attract a lot of people, as though reluctant to eat in company with anyone.
Are you up very late and avoiding company too? You might run into her.
C. play the madmen poets
She's aware that it's unwise, perhaps now more than ever, to do anything to shut out or dull her awareness of her surroundings. Nonetheless: it may also be something she needs now more than ever.
As a compromise, she's only using her music player when she's got a good view of the rest of her surroundings, or when she's otherwise fairly sure nothing can get close to her without her knowing. So 'while flying' is a good option, as far from the ship as she can get while still able to make it back before her wings fail; another is perched on a high roof or crows' nest, some spot she can only get to by flying. And occasionally, very occasionally, in the library while seated with her back to a wall
There's so much music in this little box, and she still hasn't heard all of it. This month she's working her way through the repertoire of a bard with a rough but compelling voice, and trying to make out what his verses are talking about. (You don't need a weatherman to know which way the wind blows is possibly the first intelligible thing he's said in this song, and she still isn't sure what he means by it.)
D. wildcard
C. play the madmen poets
She's back about thirty seconds later, falling in a loop about ten feet away, her hair blooming around her in crazed shapes as she 'hovers' nearby. "Oh whoops! Didn't realize you were listening to music! You want me to bug off?"
no subject
-- where did she go? She turns the dive into a swoop and circles back up, tugging the earpieces loose and staring around in every direction.
When Flan reappears, the shock makes her backwing a little ways, flapping awkwardly to regain her equilibrium. "Oh," she calls across, "no, that's fine -- I forgot you can do that, with the ... falling."
no subject
no subject
IT DOESN'T LOOK COMFORTABLE IS ALL, FLAN
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
A. what's the future, who will choose it
They may think her compulsive about it. Let them. It's in her interest. Tayrey who hasn't been right since the labyrinth, badly wounded last month. Excuses for unusual behavior. Reasons to evade suspicion.
She's startled as she turns to see a figure by the signpost, but it's only Cassandra. Coming to stand by her own little sign, her message of hope, she gives the other woman a nod.
'All's well?'
no subject
no subject
She looks up at the signpost, those little reminders of where people came from, sullied in her mind by the occasional contribution from a person who wants to stay right here on this nightmare ship. Which exemplifies everything about this place, really. There's nothing good here that isn't spoiled by the fact that she's a prisoner.
'We should examine some of the material together,' she mutters. 'There's enough for that.'
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
A. what's the future, who will choose it
Erin's been here a lot too.
"...Kinda lost it in front of Phil during this," Erin murmurs. "Worried about us all arriving at a world that'll greet us with guns blazing. Somethin' tells me that's on your mind too, my lady."
no subject
A pause. "Not exactly that."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
B
Without looking up from the notebook, he calls out: "Want me to pretend you're not here?"
no subject
"You can if you like," she answers, pitched to carry, "but you needn't."
no subject
"Wanna see what I'm working on?"
They are alone in the theater, but voices carry. Natsuno won't elaborate unless she joins him.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
B. you never know who’s still awake
Without looking up, he says, “I’ll be outta here soon, don’t worry. Sorry for takin’ up so much room.”
no subject
Her voice sounds ... cautious, a little uncertain.
(Not alarmed, surely. Surely there's no cause for that.)
no subject
There's a half second he lingers on her, before he quickly finishes wrapping so he can give her his undivided attention. "Just doin' some trip prep. Nothin' too- Well, nothin' outside of the normal unusual."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
B Evening
Demona has seen this woman doing the same several times already and curiosity has finally gotten the better of her enough to get her to come down out of the shadows and ask.
no subject
"It's a matter of personal preference," she says, as calmly as though they were speaking over tea. "As I would suppose yours to be, for hiding when beginning a conversation."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
okay to wrap?
okay!
a.
no subject
"Helena?"
no subject
Partly because she wasn't paying attention. But she smiles in Cass's direction regardless.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
B
Which is to say that in the middle of Cassandra's late-night cooking she is joined by a spiky-haired short guy in floral-print pajama pants and an 'I Survived the Labyrinth of Suffering' shirt making a beeline for the slow-cooker. In go a handful of hot dog weiners and a handful of ice before he thinks to say, "Wait, were you in the middle of something?"
no subject
There's just a small pot there, bubbling away to itself, and the smell of boiling potatoes. There's also quite a great deal more stovetop available.
no subject
"It always felt like cheating to use just ice," he mutters, heading for the cupboard to have a good rummage.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)