prince_of_beasts (
prince_of_beasts) wrote in
come_sailaway2023-12-24 12:56 am
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exile [closed & open]
Who: Dimitri, CR, and you
What: Reunions; aftermath
When: Dec.23rd onward
Where: Around the ship
Warnings: Survivor's guilt, PTSD, delusions, suicidal ideation
When Darcy wakes in her bed, Dimitri's already pacing tight circles in front of her door.
A few moments later, a fluffy yellow cannonball slams into Ossie's chest.
"Okie?" he calls, flinching as the flickering lights rake across the back of his skull. There's a shape, a familiar silhouette, Dimitri's heart breaks -- "Okie!" He bursts into a run and does not bother slowing down; he launches himself into Okie with a rattle of thunder, and kisses him on the mouth.
If he spots someone around the ship, though, he freezes in place, mouth open, eyes wide, face a marbled blotch of exhausted bruising, tear-stains, and bloodless terror. His throat works, but the most sound he can manage is a choking rasp.
- at the buffet, midway through reaching for a serving-spoon;
- in a stairwell staring blankly at the landing;
- in the showers on the sports deck, shoulders red from too long under water running too hot;
- in Sand Dollars, hands wrapped around a steaming paper cup;
- at night, at the edge of the upper deck, hands white-knuckled on the railing.
Always standing, wherever he comes to rest. His expression is hollow, his skin waxy, his hair greasy and limp; if he's called out to, he might look up, but his eyes are bleary and don't focus.
bird1312 on Discord!
What: Reunions; aftermath
When: Dec.23rd onward
Where: Around the ship
Warnings: Survivor's guilt, PTSD, delusions, suicidal ideation
1. you've got sucker's luck (Darcy, cabins)Mornings, every morning, Dimitri paces outside the cabins. It can't really be called 'patrolling'; he's too agitated, too sunk into himself. He starts at the fifth hour, and goes until the seventh, just in case, just in case.
When Darcy wakes in her bed, Dimitri's already pacing tight circles in front of her door.
2. oh you meant so much; have you given up? (Ossie & Giles, the cottage)He's asleep on the doorstep when the latch of the gate clicks. An ear twitches. Dimitri's up and running before he's fully registered the sound, streaking down the path with a desperate yowl.
A few moments later, a fluffy yellow cannonball slams into Ossie's chest.
3. does it trouble your mind the way you trouble mine? (Okie, Playback)Okie's already left his cabin by the time Dimitri gets to it. Any thought of his ship phone is buried under three weeks of compounded exhaustion and hysterical grief, but a string of frantic questions leads him to Playback.
"Okie?" he calls, flinching as the flickering lights rake across the back of his skull. There's a shape, a familiar silhouette, Dimitri's heart breaks -- "Okie!" He bursts into a run and does not bother slowing down; he launches himself into Okie with a rattle of thunder, and kisses him on the mouth.
4. did you fall for the same empty answers again? (positive CR)Dimitri searches for the people he knows. Anyone, everyone, any name he recognizes from that accursed signup sheet, desperate to know they made it back, that they didn't slip into some pocket of void on the journey between wherever-it-was and here. He knocks at cabin doors, paces through familiar haunts, occasionally remembers his ship phone long enough to send Are you back? Are you safe?
If he spots someone around the ship, though, he freezes in place, mouth open, eyes wide, face a marbled blotch of exhausted bruising, tear-stains, and bloodless terror. His throat works, but the most sound he can manage is a choking rasp.
5. oh, you're thinking too fast, you're like marbles on glass (open; pick a location or throw me your own!)Eventually, the frenetic energy driving Dimitri has to run out. His spring unwound, he stutters to a stop wherever it leaves him:
- at the buffet, midway through reaching for a serving-spoon;
- in a stairwell staring blankly at the landing;
- in the showers on the sports deck, shoulders red from too long under water running too hot;
- in Sand Dollars, hands wrapped around a steaming paper cup;
- at night, at the edge of the upper deck, hands white-knuckled on the railing.
Always standing, wherever he comes to rest. His expression is hollow, his skin waxy, his hair greasy and limp; if he's called out to, he might look up, but his eyes are bleary and don't focus.
does it feel like a trial? (wildcard)HMU in DMs here or
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5.
When she sits, it's with him in her line of sight. Mostly because it's her usual seat. But it's her usual seat because it's the best view of the entire cafe, so.
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He blinks. His surroundings resolve sluggishly; he picks his head up, squinting like he's stepped into a bright light. "A ... ava?"
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They're not exactly on anything she'd consider speaking terms. She can't think of the last time either of them have even bothered to attempt. But she can't come up with any reason to be rude, either.
"It must have been quiet here," is all she can really think to say. Not many that stayed behind, after all.
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"Hey," and she sounds so normal that it almost startles her for a moment. No hoarseness, not on this side.
"Sorry, had to stop Phil from having a PTSD moment. I ehn- it was bad."
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All the blood drains from his face. His eyes go wide; his pupils flare wider, black dots on a sheet-white pane. "Darcy?" he croaks. "Darcy -- no. No, no, please, please -- I'm sorry. I'm sorry -- "
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"I'm fine. Made it back and everything. It's okay."
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cw emeto
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cw mild self-injury
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4
She's exhausted.
"Bent a knife," she manages, muffled. "Who is it?"
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He sounds no better, ragged and breaking. What can he say? Asking Are you alright? would just be insulting. He can't, won't, demand details.
" -- I know," he says finally. His voice cracks. "Some of what happened ... the broadest facts only. But."
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4
// I won't hurt you, they say.
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// I'm back, Bastion confirms. // Number 2 intended to trap us permanently, but Ava killed him, which released us.
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4.
When it creaks open, Nimona stands there with an entire loaf of stale bread in one hand, her jaw unhinged as if she's about to eat half of it in one bite. (It's a familiar-looking loaf of bread; one of many loaves he scattered around the ship these last three weeks.) She stops, eyeing Dimitri.
Slooooowly, she removes the bread from her mouth, re-hinges her jaw, and says, "Dimitri. Hey."
He looks awful. Jeez.
"...You okay?"
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"Ye -- " It's reflexive; it's also such a thin lie it borders on insulting. " -- no. But I stayed behind, I have no right to complain -- are you?"
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It's true! She was dead for a while! And look, now she's got a loaf of bread! Everything's comin' up Nimona.
(Sort of.)
"I mean, don't get me wrong, it sucked goats, but hey -- I'm alive now, so..." She peers closer at Dimitri. "You, uh, wanna come in and have some bread?"
Before your legs collapse is heavily implied, but left unspoken.
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Once he's tucked himself somewhere that feels safer, he sends out word that he's here, he's himself, he's in the arcade. He's surprised to see Dimitri's the first to find him, even if he knows he shouldn't be. And then he's running toward him, and-
After a moment's shock, all he can do, all he wants to do, is give in to it. He forgets everything but the feeling of his love's lips on his, melts into this moment of connection. His sky clears, slowly, gently, blue peeking sheepishly from light clouds.
Except, strangely, for a single stain, dark and angry, stretched across the left side of his head.
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It's a long time before he can make himself pull away. When he does, it's only to bury his face in Okie's shoulder, shaking with suppressed sobs.
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There’s something calming about not being the only one who isn’t calm.
“Hey, hey, hey,” he coos gently. “What’s goin’ on, Mitri?”
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4
Ruby wakes up in a too-quiet room that still feels less like it belongs to her than the mockery of her school dormitory she's been sleeping in for the last three weeks.
(It always did feel like Clarke's space more than hers, and even now her belongings and hoardings have been taken away, Ruby struggles to feel truly settled in a space she's had little time to make her own.)
It's disorienting. It's still a relief.
The knock on her door finally forces her out of her very engaging post-wake-up activity of staring blankly at the ceiling, though even after she calls, "Coming!" it takes her a few seconds longer to remember where she put her eyepatch, and another few to adjust to the magic aid enough to move, after weeks without.
Only then does she finally tug open the door to see Dimitri, looking— not so well. "—Dimitri... hey."
Compared to many others from the trip, she feels like she got off easy.
like marbles on glass
It's all right. He lived and worked among front-line soldiers for some time. He's had some experience with this, and if he gets socked in the jaw for his efforts, well, that's all right too. Mulcahy can take a hit.
A thin blanket gets draped around Dimitri's shoulders.
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(Not much more than a boy, really. Too broad-shouldered for 'scrawny', but thin, pared to bone and wiry muscle that only highlights the teenage jut of his chin, the remnants of baby fat clinging to his cheeks. Too young for that hair-trigger violent reflex.)
(The backs of his eyes shimmer red, like an animal's.)
With visible effort, he uncurls his fist and lets it drop. "A-apologies," he croaks. "I was -- startled."
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The only thing new is the odd shimmer in his eyes, but Mulcahy is several years into this whole multiverse business, so that doesn't put him off either.
"Think nothing of it. I only wanted to make sure you were all right. Have you eaten?"
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2
"My poor little dear thing- were you waiting for us?" he gives the kitty a little kiss on the head, "here we are- come on, let's get us inside, my dear boy," and Ossie starts back up the path to the cottage.
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And something is missing -- the cat twists in Ossie's arms to prop itself up. Its head swivels; it meows, plaintive and terrified. It's trying very hard to keep its claws in, but they prick against Ossie's shoulder despite the cat's best efforts.
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"It's alright. I'm alright, Giles is- he'll be back very soon," he soothes, "shhh, it's alright. My dear boy, my dear boy," and Ossie fumbles just a little for the doorknob to the cottage.
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eugenics reference