not_the_last (Cassandra de Rolo) (
not_the_last) wrote in
come_sailaway2023-07-02 01:55 pm
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Entry tags:
- changeling the lost: okie,
- critical role: cassandra de rolo,
- farscape: john crichton,
- fe3h: dimitri alexandre blaiddyd,
- geist the sin-eaters: darcy lejeune,
- groundhog day musical: phil connors,
- identity v: grace,
- identity v: helena adams,
- lavender jack: honoria crabb,
- lavender jack: johnny summer,
- log horizon: shiroe,
- murderbot diaries: murderbot,
- original: max maximum,
- original: valdis,
- shiki: natsuno yuuki,
- the black phone: vance hopper,
- the magnus archives: daisy tonner,
- the prisoner: number 6
there's a dream I had / there was no one there [July OTA]
Who: Cassandra de Rolo, OTA
When: July
Where: Around the Serena Eterna
What: Revelations, arguments, exhaustion, exercises in futility
Warnings: Game-typical angst
A. you've got to hold it all together
After the prom and the announcement that happened there, Cassandra has quite a lot of people to talk to. Some, like Helena, Daisy, and Peter Smith, she has made specific plans to meet with; others she will decide to talk to afterwards, particularly once she's looked at the signup sheet for the upcoming excursion.
Friends who have signed up, including Dimitri, Okie, Phil, and Crabb, will receive a text from Cassandra saying only We have to talk. Security, because she doesn't want to put it through that anxiety again so soon after the last time, will instead find Cassandra seeking it out more directly; Shiroe will likewise find himself approached in public, rather than messaged.
Others who have not signed up, including Crichton, Max, Vance, and Tayrey, will receive a somewhat less terse text: Have you heard the announcement about the next excursion? or Have you seen the sign-ups for the next excursion?
(It took some effort not to begin each text with Don't go.)
B. far far away from any eyes
All of this talking is exhausting, the more so because she has no idea if it will do any good. When Cassandra isn't seeking out conversation, she's increasingly hard to find: hiding in her cabin, or in a corner of the library, or underneath the stairs in one or another of the stairwells, or on the highest points of the ship only accessible to those who can fly.
Later in the month, when her need to be alone gets worse, she'll spend up to an hour at a time with her cloak wings out, circling as far from the ship as she can get without risking running out of time to return. You might spot her out there, a distant speck, if it happens to be by daylight; you might see her returning, landing on unsteady legs as her feathered wings fold back down into a cloak, stumbling away looking exhausted.
Unusually, for those who have grown used to her habits, she isn't eating at the buffet anymore. Oh, she can sometimes be spotted taking food there, but never much at once, and she doesn't stay there to eat it ... though she might be talked into staying, if you catch her. Or you could follow her and see where she's taking her scanty pickings.
C. there was no one there
Wildcard!
[Hit me up on Discord (batyatoon) or by direct DW message if you want to do something specific, or just tag in!]
When: July
Where: Around the Serena Eterna
What: Revelations, arguments, exhaustion, exercises in futility
Warnings: Game-typical angst
A. you've got to hold it all together
After the prom and the announcement that happened there, Cassandra has quite a lot of people to talk to. Some, like Helena, Daisy, and Peter Smith, she has made specific plans to meet with; others she will decide to talk to afterwards, particularly once she's looked at the signup sheet for the upcoming excursion.
Friends who have signed up, including Dimitri, Okie, Phil, and Crabb, will receive a text from Cassandra saying only We have to talk. Security, because she doesn't want to put it through that anxiety again so soon after the last time, will instead find Cassandra seeking it out more directly; Shiroe will likewise find himself approached in public, rather than messaged.
Others who have not signed up, including Crichton, Max, Vance, and Tayrey, will receive a somewhat less terse text: Have you heard the announcement about the next excursion? or Have you seen the sign-ups for the next excursion?
(It took some effort not to begin each text with Don't go.)
B. far far away from any eyes
All of this talking is exhausting, the more so because she has no idea if it will do any good. When Cassandra isn't seeking out conversation, she's increasingly hard to find: hiding in her cabin, or in a corner of the library, or underneath the stairs in one or another of the stairwells, or on the highest points of the ship only accessible to those who can fly.
Later in the month, when her need to be alone gets worse, she'll spend up to an hour at a time with her cloak wings out, circling as far from the ship as she can get without risking running out of time to return. You might spot her out there, a distant speck, if it happens to be by daylight; you might see her returning, landing on unsteady legs as her feathered wings fold back down into a cloak, stumbling away looking exhausted.
Unusually, for those who have grown used to her habits, she isn't eating at the buffet anymore. Oh, she can sometimes be spotted taking food there, but never much at once, and she doesn't stay there to eat it ... though she might be talked into staying, if you catch her. Or you could follow her and see where she's taking her scanty pickings.
C. there was no one there
Wildcard!
[Hit me up on Discord (batyatoon) or by direct DW message if you want to do something specific, or just tag in!]
a.
She just has to be delicate with this. Delicate, but brave.
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"Good afternoon," she offers, from a little ways away so as not to startle him badly.
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b
Investigate?
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If this is a trap ... well, it's not a simple one, that's all. One last thing to check before she tries to open the flap.
"Hello, is someone in there?"
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a
Okay. When and where?
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a. don't carry it all, don't carry it all
sure thing! can do my room or scoops, whichever sounds better
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Scoops will do well, I think. When would be a good time for you?
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I heard.
You're not considering it, are you?
I say let the people who enjoy being imprisoned here give their lives for it, if that's what they want. The rest of us should stand clear.
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There are some I would like to try to talk out of going. I don't anticipate a high rate of success.
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a
Whether Daisy arrives at Stellar before or after Cassandra, she does the same thing: pull herself up onto the edge of one of the dining tables to sit there, legs dangling off the side and leaning back on her hands.
"So."
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"Would you be willing to talk a little about your previous voyage?"
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[Text]
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Re: [Text]
text -> action
action
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"Master Smith," she says, and moves up to take the seat opposite him. "Thank you for meeting with me. I hope you're well?"
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a
i'm not going
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I'm concerned about how many are going. I wanted to check with you.
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a. hold it all together
"Cass," he says, with a nod of greeting. "You wanted to speak to me?"
Re: a. hold it all together
"I did, yes." She doesn't let herself hesitate. "Did I see correctly that you've signed up for the next excursion?"
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a
Fun parts of being introduced to texting aboard the ship: experiencing the unique 'uh oh' of someone just texting you something like 'we need to talk'.
Alright. Where do you wanna talk?
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Text & Action, Wildcard
About a solid minute later, here in the evening, the sound of an entire Grace smooshing up against the door of Cassandra's cabin. Not thrown, no, but the perhaps-familiar sound of someone who was moving at say a brisk walk and was not expecting this door to not open.
Silence.
And then: ~The metal is strangely comfortable and soothing.~
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She texts back: I am in my cabin. Please do come by.
And then comes the noise at her door and the words that aren't quite in her ears, and she has to struggle not to laugh.
"Try again," she advises, and touches the button on her phone that unlocks the door.
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Emote unlocked
Re: Emote unlocked
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B
"Miss de Rolo?" His voice is low, low enough that she could ignore him if she really wanted to abscond.
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"Master Summer. Good afternoon."
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B (Buffet)
"Watch where you're going."
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"I beg your pardon," she says after a moment, and steps away from the buffet to let Darcy pass.
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B: Library
"Lady de Rolo." She inclines her head intending to pick up and leave, but Cassandra feels off, uncentered, moreso than normal. "Is everything alright?"
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"I'm sorry," she says, a little blankly, "you startled me."
(The primary emotion coming from her is decidedly not anything so relatively benign as startlement; it's much closer to reflexive fear, almost a fight-or-flight response, though not directed at Valdis.)
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