César Salazar (
pineapplesalmon) wrote in
come_sailaway2022-12-11 07:21 pm
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Entry tags:
- be more chill: rich goranski,
- bioshock: jack,
- changeling the lost: erin peters,
- critical role: cassandra de rolo,
- geist the sin-eaters: darcy lejeune,
- generator rex: césar salazar,
- generator rex: six,
- groundhog day musical: phil connors,
- heaven officials blessing: shi qingxuan,
- identity v: helena adams,
- ikemen sengoku: nobunaga oda,
- lavender jack: honoria crabb,
- lavender jack: johnny summer,
- malevolent: arthur lester,
- murderbot diaries: murderbot,
- nier reincarnation: fio,
- original: april caouette,
- original: jeff calhoun,
- original: siffleur,
- original: valdis,
- original: ylva wolfsdottir,
- overwatch: bastion e54,
- sherlock holmes: john watson,
- skulduggery pleasant: skulduggery,
- stranger things: chrissy cunningham,
- stranger things: eddie munson,
- stranger things: steve harrington,
- the 100: clarke griffin,
- the black phone: vance hopper,
- the locked tomb: palamedes sextus,
- the umbrella academy: klaus hargreeves,
- westworld: maeve millay
10th Contraption: Mawwiage
Who: John Watson, Johnny Summer, and César Salazar with Rich Goranski, Fio, and Honoria Crabb AND YOU Oh god why are weddings like this
What: The throuple getting married by... the Captain?!
When: December 11th at 7pm
Where: John's
Warnings: I believe in us! But for now, nothing.
SEATING
John's has been transformed, the seating up front rearranged in rows towards the center dias with an aisle down the middle, the piano moved off to one side. The buffet for later can be seen off to the other. Decorations taken from Spirit Halloween appear here and there–flowers taken from cavalera flower crowns, sun and moon candlestick holders from the tarot collection, festively colored tablecloths draped down the walls like curtains or banners. A sign near the entrance says "seat yourself", although the front row on one side is reserved with a ribbon across the backs.
What can't be seen is who is officiating. Or the husbands, but at least that part makes sense. The dais is empty.
THE CEREMONY
As one of the few traditions in this wedding, music announces the start of the ceremony. Rich strolls in first, trying to look professional even if he’s clearly shaking a bit as he holds the small pillow with the rings laid on it. At least he’s dressed quite smartly, Johnny ensuring his red suit is wrinkle free and his cuff links are set in place. Fio, in a winged black dress and flowery headdress, follows after the ring bearer, adorning the path with paper petals as she moves along.
The first husband to be down the aisle is none other than Johnny, in a smart charcoal grey suit with a goldenrod pocketsquare, gold jewelry, and a wreath of orange blossoms on his head; and accompanied by Honoria Crabb in her perfectly tailored black tuxedo, worn with black gloves and a white bow tie. Watson and César take up the rear, arms linked together. César is wearing an equally fancy suitcoat with his tie held in place with a ruby and silver tie pin, and Watson is wearing an officer’s dress uniform, with the sword and without the helmet, and also his good cane. All three husbands-to-be are wearing green carnation boutonnières.
AFTER PARTY
It's time to eat, dance, and party!
The seating has been rearranged for sitting at tables around the "dance" floor. Food from Windjammer has been placed on some tables for a buffet. There’s a selection of fancy cheeses and crackers, sushi, premade sandwiches, and salad with dressings on the side. For dessert, to one side there’s a table with cupcakes, cookies, and chocolates arranged in a heart. On the bar are a couple bowls of punch (including one explicitly labeled as non-alcoholic) made by Johnny ahead of time, because he's been forbidden to bartend his own wedding, much to his deep chagrin.
There’s a space set just off the dancefloor for musicians who wish to perform, the usual John’s piano (bribed into behaving with a whole pan of beef brisket from the buffet) off to one side.
What: The throuple getting married by... the Captain?!
When: December 11th at 7pm
Where: John's
Warnings: I believe in us! But for now, nothing.
SEATING
John's has been transformed, the seating up front rearranged in rows towards the center dias with an aisle down the middle, the piano moved off to one side. The buffet for later can be seen off to the other. Decorations taken from Spirit Halloween appear here and there–flowers taken from cavalera flower crowns, sun and moon candlestick holders from the tarot collection, festively colored tablecloths draped down the walls like curtains or banners. A sign near the entrance says "seat yourself", although the front row on one side is reserved with a ribbon across the backs.
What can't be seen is who is officiating. Or the husbands, but at least that part makes sense. The dais is empty.
THE CEREMONY
As one of the few traditions in this wedding, music announces the start of the ceremony. Rich strolls in first, trying to look professional even if he’s clearly shaking a bit as he holds the small pillow with the rings laid on it. At least he’s dressed quite smartly, Johnny ensuring his red suit is wrinkle free and his cuff links are set in place. Fio, in a winged black dress and flowery headdress, follows after the ring bearer, adorning the path with paper petals as she moves along.
The first husband to be down the aisle is none other than Johnny, in a smart charcoal grey suit with a goldenrod pocketsquare, gold jewelry, and a wreath of orange blossoms on his head; and accompanied by Honoria Crabb in her perfectly tailored black tuxedo, worn with black gloves and a white bow tie. Watson and César take up the rear, arms linked together. César is wearing an equally fancy suitcoat with his tie held in place with a ruby and silver tie pin, and Watson is wearing an officer’s dress uniform, with the sword and without the helmet, and also his good cane. All three husbands-to-be are wearing green carnation boutonnières.
AFTER PARTY
It's time to eat, dance, and party!
The seating has been rearranged for sitting at tables around the "dance" floor. Food from Windjammer has been placed on some tables for a buffet. There’s a selection of fancy cheeses and crackers, sushi, premade sandwiches, and salad with dressings on the side. For dessert, to one side there’s a table with cupcakes, cookies, and chocolates arranged in a heart. On the bar are a couple bowls of punch (including one explicitly labeled as non-alcoholic) made by Johnny ahead of time, because he's been forbidden to bartend his own wedding, much to his deep chagrin.
There’s a space set just off the dancefloor for musicians who wish to perform, the usual John’s piano (bribed into behaving with a whole pan of beef brisket from the buffet) off to one side.
no subject
Wait, what was the question?
Oh well, it probably wasn’t important.
“You’re pretty, Clarke.”
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Clarke tilts her head, pushes her lips into a classic aw! pout before a smile snags the corner of her mouth. "Thanks, Pal. I think you're pretty, too."
She releases his right hand once he seems centered enough to not tip over and fall on his face, but keeps them tethered together at the left; anchors her free hand on his left elbow and tugs, urging Pal to follow her guidance through tables, and lean on her as needed for support.
"And also pretty drunk. Please don't throw up on me. Let's just get you home."
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Unfortunately, he immediately ruins the delivery of his own joke by bursting into giggles.
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"Hm," she hums back without really looking back at him. No need to look to remind herself how pretty those eyes are, still an unnamed shade of grey and fondly remembered for how they'd gleamed in the mixed shades of desert sunlight and Rover shadows back at the diner excursion. "Combine all three, you make a formidable enemy. Watch out for the table —"
They will, eventually, make it to the door of John's and the edge of the wedding festivities. Light and music spill into the Promenade, but it's relatively muted out of the party proper and languishes into distant ambiance the further they get towards the elevator.
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Well, you get the idea.
Thankfully, none of the furniture brings Palamedes down with it, and with renewed laughter he lets Clarke drag him the rest of the way out of the room.
“Well, that was exciting!”
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Out in the hallway is better though. Something about a gathering of bodies and high tension makes the air inside the bar feel hot and thick, where as out on the main promenade everything is a little cooler. Pal laughs, and Clarke takes a deep breath. And pauses to disentangle their hands, instead falling back to his side and linking their elbows; better support and easier to guide.
"Exciting's sure a word for it. I can't believe the two of them, though. Did either Skulduggery or the Captain think that was going to go over well?
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“I can’t believe Skulduggy has such awful, awful, awful, awful…” he stumbles over his feet, but thankfully rights himself quickly, “…awful taste.”
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This is not based on the wearing of ugly Tommy Bahama prints, nor even his friendship with Darcy who Clarke currently considers to be insufferable. Those probably count for something, but it's honestly just vibes at this point. Vibes and dancing.
"I don't like the feel of any of this," she starts, before needing to shrugging against Pal's reverberating shoulder and deciding this was probably a conversation better had when he was sober.
"...is this your first time getting properly drunk?"
no subject
Clarke is right—they really shouldn’t be talking about this right now, but you try convincing a drunk nerd not to talk about something.
Palamedes nods vigorously. "Mmm, yes." He rubs his face, nearly knocking his glasses off. “Can I lie down here?” The floor isn’t sticky here, after all.
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"...Smart and stupid are not mutually exclusive, just look at Jade and Rita." Shots fired but like, affectionately — and quietly at Pal as well, Mr. Tetrahydrocannabinol is active ingredient in hemp-derived intoxicants who can't pace his punch glasses. "You don't need to worry about attaching your soul to your bones right now, and if that ever comes up I'm sure you'll figure out a way to do it without completely voiding out all your senses. Or better tastes.
"And no, you may not. Chances are you won't get up again. Come on, Pal, we're almost to the elevator."
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Once they’re inside, he leans against her, resting his cheek on her hair. “…So you’re saying I would make a better skeleton than Skuls Skuls?”
Speaking of people who are both very, very smart and very, very dumb.
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Doctor Sex is a title that's going to live in her brain rent free for the next fifteen minutes until she remembers Latin loanwords and the fact Pal's last name is Sextus so it wouldn't be as weird a last name on the Sixth. But until that point, this rendition of Skulduggery manages to be more atrociously distracting.
This isn't fated to be a very long elevator ride, and while the initial idea to pawn him off on the hand rail springs up, Clarke decides it's better to keep him close. Brings up the arm not currently entwined with his and gives Pal a light, comforting pat on the chest.
"I think you'd make the best conscious skeleton that ever skeletoned." Unintentionally pulling a page from the Raven Reyes book: You're the most beautiful broom in a broom closet full of brooms. Trigedasleng was a difficult language, dummy-drunk is not.
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Thankfully, Clarke doesn't need to support Palamedes' weight for long; in less than a minute the door slide open, and Pal lets himself be led out, clearly placated by her praise. Best skeleton.
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Butter smooth draw to a half for the elevator, then a gentle ding to announce their arrival. Docile cargo in tow, it isn't a long walk to Cabin 105. And just outside the door, a redux of her adventure at the weed party, just with the roles swapped. Pal is gently guided to have his back to the wall next to his door, and this his pockets are being raided. Clarke narrates their next moves as she goes.
"You're going to go inside, get in the bathroom and drink as much water from the tap as you can manage. Then you're going to lie down in your bed, and I'm going to find you some ibuprofen or aspirin, and a snack."
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Except, because he’s drunk, thinking without talking isn’t his strong suit at the moment. “That’s an awful lot of instructions.” A beat. “I’m Master Warden, you know.” And the best skeleton, but obviously Clarke already knows that and he doesn’t need to repeat it.
Thankfully, the Master Warden is thirsty, and so he ambles in a not-quite-straight line towards the bathroom sink. Then he turns on the tap…and stares at it without even reaching for the water glass sitting nearby.
“Heeeey Clarke, do you know why intoxication leads to dehydration? Because I do.”
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Then she lets him wander off towards the bathroom, fingers crossed there's no spectacular falls, and initially busying herself with dumping out a wastebasket (no one needed bunched up pieces of paper, discarded pens, and general trash intermingled with vomit) and repositioning it by the bed.
"Because alcohol's a diuretic, same with coffee and tea," she answers while briefly dipping into the bathroom to grab a few towels. The running tap and empty water glass are noted but... it's a bit of a respect thing, decidedly not holding his hand through this process the same she'd done for Rita. Palamedes will either figure this one simple task out himself or he's too far gone, and she'll be back to drag him into the shower stall and turn the water on cold.
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(If Camilla Hect were present, this is likely the point at which she would stand up and given Clarke a round of applause.)
It takes a few more moments, but eventually Pal remembers that the tap is running, and that it’s running because he’s supposed to be drinking water. Water, right. Because he’s thirsty, and because alcohol is a diuretic. He grabs the glass from the sink, fills it up, and drinks it down. Only a little bit of it splashes on his shirt.
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And at that, Clarke retreats out of the bathroom with an armful of towels. When Palamedes eventually follows, he'll find that she's turned down the blankets of his bed and laid out one body towel around where his head would lay, leading to the makeshift puke bucket wastebasket like a red carpet. Another is tucked neatly around his pillow, a third beneath the basket itself, and a face towel folded on his nightstand. Preemptive cleanup measures met, she's now got her back to the bathroom door and is unceremoniously rooting through his dresser.
Clarke is fairly certain most anytime she's seen Palamedes sleep he's either been wearing his day clothes or a skeleton onesie, and she's on the hunt for anything that'd pass as pajamas.
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“Are you putting me to bed, Clarke?” he asks with a playful kind of singsong in his voice.
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And it's cute, in that carefree way all drunk people are; that smile is damnation and salvation all in one. But this time around Clarke's the responsible one and will play that role to the end.
"That is and always has been the plan, Palamedes. And you'll thank me for it."
At some point tomorrow he'll be sober and at least able to retain the dignity of not having spent the night on the floor of John's.
"Do I need to undress you?"
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“Turn around.”
See? Pride.
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"You've seen me dress," is muttered so far under her breath it's basically inaudible. She will busy herself stuffing discarded or rumpled bits of clothing back into the drawers and closing them while he fumbles to pull on those sweatpants behind her.
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“All done!”
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"Good." job, boy.
Praise moment almost instantly over, Clarke's crossing back over to where he's seated and tugging the top blankets up, gesturing for him to get under them and lay down.
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“Good?”
Yes, he wants praise for getting into bed.
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